Sadhana Sargam, Sonali's ' "Hanste Hanste Kat Jaye Raaste, Pt. 2" was released on its scheduled release date, May 14, 1989. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rajesh Roshan's "Khoon Bhari Maang (Original Motion Picture Soundtrack)" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Hanste Hanste Kat Jaye Raaste, Pt. 2 is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hanste Hanste Kat Jaye Raaste, Pt. 2 by Sadhana Sargam, Sonali to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Na Kajare Ki Dhar (From "Mohra") | Sadhana Sargam, Pankaj Udhas | C Minor | 7 | 5A | 145 BPM | ||
| Jiska Koi Nahin - Manna Dey | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 96 BPM | ||
| Tujhme Aur Teri Yaad Mein | Agam Kumar Nigam | B Minor | 8 | 10A | 81 BPM | ||
| Zindagi Ko Jeena Hai Toh | Jolly Mukherjee, Sadhana Sargam, Anand Raj Anand, Arun Bakshi | B Major | 7 | 1B | 84 BPM | ||
| Mohabbat Ab Tijarat Ban Gai Hai | Anwar, Laxmikant–Pyarelal | G Minor | 5 | 6A | 127 BPM | ||
| Nafrat Ki Duniya Ko Chhod Ke | Mohammed Rafi, Laxmikant–Pyarelal | D♭ Minor | 5 | 12A | 120 BPM | ||
| Dekhiye Ye Sansar Hai | S. P. Balasubrahmanyam | D♭ Minor | 4 | 12A | 81 BPM | ||
| Tirchi Topiwale - 1 | Amit Kumar, Sapna Mukherjee | F Minor | 8 | 4A | 124 BPM | ||
| Kitna Pyar Tumhein Karte Hai | Kumar Sanu, Sadhana Sargam | D Major | 8 | 10B | 96 BPM | ||
| Bade Badai Na Karen - Dohavali | Hemlata, Jaspal Singh, Ravindra Jain | E♭ Minor | 3 | 2A | 161 BPM | ||
| Betabi Ka Khamoshi Ka | Sarika Kapoor | G Minor | 6 | 6A | 66 BPM | ||
| Chain Aap Ko (From "Hungama") | Shaan, Sadhana Sargam | F Major | 9 | 7B | 95 BPM | ||
| Ya Ali Ya Ali | Sudesh Bhosle | D♭ Major | 8 | 3B | 93 BPM | ||
| Goriya Pyar Mujhe (From "Mere Humsafar") | Vinod Rathod, Poornima | F♯ Minor | 6 | 11A | 182 BPM | ||
| Dil Ke Arman Ansuon Men Bah Gaye | Salma Agha | A♭ Major | 4 | 4B | 108 BPM | ||
| Sohni Chenab De Kinare (Part I) - Sohni Mahiwal / Soundtrack Version | Anupama | C Minor | 7 | 5A | 146 BPM | ||
| Tirchi Topiwale - 2 | Amit Kumar, Sapna Mukherjee | F Minor | 6 | 4A | 81 BPM | ||
| Tere Dar Ko Chhod Chale | Pankaj Udhas | C Minor | 7 | 5A | 153 BPM | ||
| Mausam Mausam Lovely Mausam | Anwar Hussain, Sulakshana Pandit | E♭ Major | 5 | 5B | 113 BPM | ||
| Mohabbat Ka Iraada | Altaf Raja | C Major | 6 | 8B | 105 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Hum Aise Karenge Pyar | Udit Narayan, Sadhana Sargam | C Major | 8 | 8B | 80 BPM | ||
| Dil Dhundta Hain | Bhupinder Singh | D Major | 3 | 10B | 85 BPM | ||
| Tera Naam Liya | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | F Minor | 8 | 4A | 131 BPM | ||
| Beech Bajaria | Sapna Awasthi | B♭ Major | 9 | 6B | 90 BPM |