Pablo Garcia's ' "Verte A Los Ojos - Unplugged" was released on its scheduled release date, July 17, 2015. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pablo Garcia's "Live Session" album is number 3 out of 3. In terms of popularity, Verte A Los Ojos - Unplugged is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Verte A Los Ojos - Unplugged by Pablo Garcia to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adriano in Siria: Mancare o Dio mi sento | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | F Minor | 2 | 4A | 84 BPM | ||
| Cleofide, Act II Scene 4: Aria. Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
| Laudate pueri in G Major, RV 601 "Salmo 112": I. Laudate, pueri (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 2 | 3B | 92 BPM | ||
| Concerto No. 10 In B Minor RV 580: I. Allegro | Accademia Bizantina | B♭ Minor | 3 | 3A | 123 BPM | ||
| Oboe Concerto in D: 2. Adagio | Giovanni Battista Sammartini, Heinz Holliger, I Musici | B Minor | 1 | 10A | 169 BPM | ||
| Maddalena ai piedi di Cristo: No. 6 Aria Amor Celeste "La ragione, s'un'alma conseglia" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | E Major | 2 | 12B | 80 BPM | ||
| Concerto for Four Violins and Cello in B Minor, RV 580, Op. 3 No. 10: I. Allegro | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, David Plantier, Mauro Lopes Ferreira, Nicholas Robinson, Petr Skalka | E Major | 1 | 12B | 178 BPM | ||
| Porpora: Perdono, amata Nice "La gelosia": II. Recitativo. "Perdono, amata Nice" | Nicola Porpora, Philippe Jaroussky, Artaserse | F♯ Major | 3 | 2B | 124 BPM | ||
| Concerto Movement in C Minor, S. 240. VIvace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B Minor | 2 | 10A | 118 BPM | ||
| Concerto a cinque No. 3, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 5 | 11B | 110 BPM | ||
| Concerto a cinque No. 8, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 3 | 11A | 111 BPM | ||
| Purcell: King Arthur, Z. 628: Overture | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 1 | 12A | 122 BPM | ||
| Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
| Orbi Terrarum | Agricantus | E Minor | 8 | 9A | 124 BPM | ||
| King Arthur, Z. 628: Act III "What power art thou" | Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet | A Major | 1 | 11B | 91 BPM | ||
| L'incoronazione di Poppea, SV 308: Pur ti miro - Arr. for Voice & Piano | Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent, Chantal Santon Jeffery | G Major | 2 | 9B | 69 BPM | ||
| Vinci: Il farnace, Act 2: "Lascerò d'esser spietata" (Berenice) | Leonardo Vinci, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D♭ Major | 2 | 3B | 104 BPM | ||
| Dibujo Nubes | Pablo Garcia | G Major | 5 | 9B | 100 BPM | ||
| Rossi: L'Orfeo, Act 1: "Mio ben, teco il tormento" (Euridice) | Luigi Rossi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 96 BPM | ||
| Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 83 BPM | ||
| Lully: Psyché, LWV 56: Chœur. "Chantons les plaisirs charmants" (Chœur) | Jean-Baptiste Lully, Les Arts Florissants, William Christie | C Major | 3 | 8B | 132 BPM | ||
| Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
| Predieri: Scipione il giovane, Act 1: "Finche salvo è l'amor suo" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 2 | 11B | 118 BPM | ||
| Atys, "Le Sommeil" Opera In 5 Acts With Prologue: Dormons, dormons tous | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 0 | 11A | 137 BPM | ||
| Sinfonia in D Major, BWV 1045 | Johann Sebastian Bach, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 3 | 3B | 117 BPM |