Lilly Martin's 'Every Night' had a release date set for January 20, 2012. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Velvet Mission". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Every Night's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Every Night by Lilly Martin having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blues Dancing | Shakura S'Aida | B♭ Major | 4 | 6B | 79 BPM | ||
| What Is & What Should Never Be | Lilly Martin | E Minor | 5 | 9A | 99 BPM | ||
| Smoke in the Back Room | Shelby Street Blues | C Major | 3 | 8B | 83 BPM | ||
| Leave Me Alone | Eden Brent | B♭ Major | 3 | 6B | 141 BPM | ||
| Cold As The Midnight Sun | Jay-Bee & The Ultratone All-Stars | G Major | 7 | 9B | 96 BPM | ||
| Too Close | Shemekia Copeland | A Minor | 5 | 8A | 184 BPM | ||
| Waiting for the Fog to Lift | Lilly Martin | B♭ Major | 5 | 6B | 121 BPM | ||
| Walking by Myself (Vocal Version) | Kraft Quartet, Mookie Brill, Sean Costello | D Major | 5 | 10B | 165 BPM | ||
| Mountain | Janiva Magness | B♭ Major | 4 | 6B | 116 BPM | ||
| Love Is an Ocean | Darren Watson | D♭ Major | 6 | 3B | 139 BPM | ||
| Turtle Blues | Jenn Cleary | G Major | 5 | 9B | 92 BPM | ||
| The Beauty of the Broken | Instrumentalista, Lost in Blues, BluesBiz | C Major | 3 | 8B | 83 BPM | ||
| Leave Me Alone (Live Countdown Café 2020) | Back To Basic | D♭ Major | 8 | 3B | 106 BPM | ||
| Fool Me Again | Janiva Magness | C Major | 6 | 8B | 73 BPM | ||
| My Silent Whiskey Blues | Daxlin Veylo | C Major | 3 | 8B | 83 BPM | ||
| Get Out of My Life Woman | Nils Landgren, Joe Sample | D Minor | 5 | 7A | 174 BPM | ||
| The Murder of John | Dr. Bernardo & the Medicine | G Major | 6 | 9B | 134 BPM | ||
| 29 Ways | Lilly Martin | C Major | 6 | 8B | 132 BPM | ||
| Still Be Friends | J.T. Lauritsen & The Buckshot Hunters | B♭ Major | 7 | 6B | 117 BPM | ||
| Tumbling Walls | Lilly Martin | F Major | 6 | 7B | 124 BPM | ||
| Sunny Weather | Karen Lovely | B♭ Major | 4 | 6B | 80 BPM | ||
| The Bloody Burmese Blues | Watermelon Slim, The Workers | A Minor | 7 | 8A | 91 BPM | ||
| Let It Rain | Deb Ryder, Kim Wilson, Kirk Fletcher, Ric Ryder, Tony Braunagel | G Major | 6 | 9B | 103 BPM | ||
| Oh, How It Rained | Curtis Stigers | B♭ Major | 4 | 6B | 154 BPM | ||
| Good Love | Lilly Martin | G Minor | 5 | 6A | 204 BPM |