On February 22, 2011, the song "Make Way For Tomorrow" was released by Rita Hayworth. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Sex Symbol - Rita Hayworth". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Make Way For Tomorrow's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Make Way For Tomorrow by Rita Hayworth having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| Sway | Pérez Prado | D Major | 2 | 10B | 90 BPM | ||
| Willkommen | Joel Grey | A Minor | 5 | 8A | 146 BPM | ||
| The Wild, Wild West | Virginia O'Brien | B♭ Major | 2 | 6B | 105 BPM | ||
| Ain't Misbehavin' | Maxine Sullivan | C Major | 3 | 8B | 129 BPM | ||
| Besame Mucho | Eydie Gormé | G Major | 4 | 9B | 95 BPM | ||
| I'd Rather Be Blue Over You | Fanny Brice | D Major | 1 | 10B | 71 BPM | ||
| It Was a Lover and His Lass | Maxine Sullivan | B♭ Major | 0 | 6B | 108 BPM | ||
| Bill Bailey, Won't You Please Come Home? | Pearl Bailey | D♭ Major | 6 | 3B | 107 BPM | ||
| Le Paradis Perdu | Lucienne Delyle | D Major | 2 | 10B | 90 BPM | ||
| Thanks for the Memory - Remastered | Bob Hope | C Major | 4 | 8B | 93 BPM | ||
| Smoke Gets In Your Eyes | Eartha Kitt | A Major | 2 | 11B | 93 BPM | ||
| One Mint Julep | The Clovers | A♭ Major | 4 | 4B | 106 BPM | ||
| You Always Hurt The One You Love - 1958 version | The Mills Brothers | G Minor | 1 | 6A | 139 BPM | ||
| Amado Mio (Theme from Gilda Original Soundtrack) | Rita Hayworth | D Major | 2 | 10B | 90 BPM | ||
| You Excite Me | Rita Hayworth | D Major | 2 | 10B | 90 BPM | ||
| Lili Marlene (From "Seven Sinners") | Marlene Dietrich | D Major | 2 | 10B | 90 BPM | ||
| You Are | David Tobin, Jeff Meegan, Joanna Forbes L'Estrange, Sara Brimer Davey, Jo Goldsmith Eteson | C Major | 3 | 8B | 90 BPM | ||
| Little White Lies | Dick Haymes | E♭ Major | 1 | 5B | 114 BPM | ||
| Would I Love You (Love You, Love You) | Patti Page | D♭ Major | 2 | 3B | 91 BPM | ||
| My Funny Valentine - Single | Kim Novak | F Minor | 0 | 4A | 89 BPM | ||
| Twentieth Century Blues (Cavalcade) | Noel Coward | A♭ Major | 1 | 4B | 114 BPM | ||
| Don't Look At Me That Way | Jeri Southern | F Major | 3 | 7B | 67 BPM | ||
| And Her Tears Flowed Like Wine – The Big Sleep 1946 | Lauren Bacall, The Williams Brothers | F Major | 3 | 7B | 135 BPM | ||
| Speak Low | Peggy Lee | F Minor | 0 | 4A | 141 BPM |