What is the music key for String Quartet No. 3 "Mishima": V. Blood Oath by Philip Glass, Brooklyn Rider?

The music key for String Quartet No. 3 "Mishima": V. Blood Oath is E♭ Major or a camelot key of 5B.

String Quartet No. 3 "Mishima": V. Blood Oath by Philip Glass, Brooklyn Rider Song Details

Philip Glass, Brooklyn Rider's 'String Quartet No. 3 "Mishima": V. Blood Oath' had a release date set for March 1, 2011. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. String Quartet No. 3 "Mishima": V. Blood Oath's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 28 in Brooklyn Rider Plays Philip Glass by Philip Glass, Brooklyn Rider. Based on our statistics, String Quartet No. 3 "Mishima": V. Blood Oath's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of String Quartet No. 3 "Mishima": V. Blood Oath by Philip Glass, Brooklyn Rider is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -6.59 dB
Acousticness: 97%
Danceability: 46%
Energy: 38%
Instrumentalness: 95%
Liveness: 13%
Loudness: 89%
Speechiness: 5%
Valence: 25%

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Open	Luke Howard	C Minor	0	5A	141 BPM
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Akhnaten: Act I, Scene 3: Window of Appearances	Philip Glass, Dennis Russell Davies	A Minor	2	8A	129 BPM
The Hours	Philip Glass	G Minor	1	6A	104 BPM
The Last Farm 5	Kjartan Sveinsson	D♭ Minor	2	12A	83 BPM
Running By The Roads, Running By The Fields (Solo Piano)	Library Tapes	D Minor	1	7A	122 BPM
2.3 Courante	Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson	F Major	4	7B	100 BPM
The Lamb	John Tavener, 12 Ensemble	E Minor	0	9A	72 BPM
You'll Miss Us One Day	Ben Lukas Boysen	C Major	1	8B	144 BPM
Panorama	Jay Maddiz	D Major	0	10B	142 BPM
George's Waltz (II)	Shigeru Umebayashi	E Minor	2	9A	138 BPM
Study In Rituals, Pt. 2	Uno Helmersson, Mari Samuelsen, Hakon Samuelsen, TrondheimSolistene, Jesper Söderqvist	F Minor	2	4A	110 BPM
Re	Nils Frahm	F♯ Minor	1	11A	109 BPM
Eon	Meredith Monk	A Minor	1	8A	157 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)	Franz Schubert, Franz Liszt, Khatia Buniatishvili	D Major	0	10B	67 BPM
The Stars We Follow	Federico Albanese	A Minor	1	8A	125 BPM
Feathers	Poppy Ackroyd	B♭ Minor	1	3A	95 BPM
Solo? Repeat!	Anne Müller	A♭ Major	2	4B	95 BPM
The Secret In The Wall	Daniel Hart	C Major	1	8B	82 BPM