Tarquinio Merula, Leila Schayegh, La Centifolia's ' "Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20" was released on its scheduled release date, January 20, 2023. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 17 in Ciaccona! by Leila Schayegh, La Centifolia. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 by Tarquinio Merula, Leila Schayegh, La Centifolia is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonate concertate in stil moderno, Book 1: No. 6, Sonata à 2 | Dario Castello, Ecco la musica | D♭ Major | 1 | 3B | 114 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: V. Adagio - Allegro - Adagio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | ||
| Violin Concerto in A Major: I. Allegro moderato | Josef Mysliveček, Leila Schayegh, Collegium 1704, Vaclav Luks | B Minor | 1 | 10A | 167 BPM | ||
| Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
| In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
| Pièces de clavecin en concerts, Cinquième Concert, RCT 11: II. La Cupis (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | D Minor | 1 | 7A | 131 BPM | ||
| Sonata Sesta in F Major: II. Allemande | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | F♯ Major | 2 | 2B | 116 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 6: IIa. Larghetto | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | A♭ Minor | 0 | 1A | 133 BPM | ||
| Ciaccona for Violin & Continuo | Johann Heinrich Schmelzer, Leila Schayegh, La Centifolia | A♭ Major | 1 | 4B | 127 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Taglietti: Il canto del cigno | Giulio Taglietti, Christina Pluhar, L'Arpeggiata, Diana Vinagre | C Minor | 0 | 5A | 135 BPM | ||
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Couperin, L: Suite en fa: I. Simphonie par Mr. Couperin (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | A Minor | 2 | 8A | 143 BPM | ||
| Pièces de caractère pour la vielle: La Dupuits, sarabande | Jean-Baptiste Dupuits, Les Kapsber'girls | A Minor | 1 | 8A | 78 BPM | ||
| Violin Sonata No. 23 in C Minor, Lee III:9: I. Adagio | Franz Benda, Leila Schayegh, Vaclav Luks | B Minor | 1 | 10A | 129 BPM | ||
| Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
| Senza titolo for Violin & Continuo | Tomaso Antonio Vitalino, Leila Schayegh, La Centifolia | A♭ Major | 3 | 4B | 130 BPM | ||
| The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
| Trio Sonata in B-Flat Major, Op. 1 No. 4: I. Grave | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | B♭ Minor | 6 | 3A | 96 BPM | ||
| Marini : Sonata sopra 'La Monica' | Biagio Marini, Il Giardino Armonico | E♭ Minor | 2 | 2A | 79 BPM | ||
| Canzoni libro terzo, Op. 12: Cíaccona | Tarquinio Merula, Australian Brandenburg Orchestra, Paul Dyer | C Major | 3 | 8B | 144 BPM | ||
| Introduxit me rex | Giovanni Pierluigi da Palestrina, Gawain Glenton, Silas Wollston | A♭ Major | 1 | 4B | 104 BPM | ||
| Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: II. Plainte | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 0 | 3B | 175 BPM | ||
| Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 103 BPM | ||
| Canon and Gigue in D Major, P. 37: II. Gigue | Johann Pachelbel, Leila Schayegh, La Centifolia | A♭ Major | 3 | 4B | 130 BPM |