Big Daddy Wilson, Doc Fozz's ' "Why" was released on its scheduled release date, October 3, 2008. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 4 out of 16 in Doin' It Right by Big Daddy Wilson, Doc Fozz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Why's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Why by Big Daddy Wilson, Doc Fozz is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angel of Sorrow | John Campbell | D♭ Major | 2 | 3B | 83 BPM | ||
| Give Me One Reason | Junior Wells, Sonny Landreth | E Minor | 5 | 9A | 130 BPM | ||
| Blackest Day | Joanne Shaw Taylor | F♯ Minor | 5 | 11A | 144 BPM | ||
| I Will Not Surrender | Curtis Salgado, Alan Hager | D Major | 2 | 10B | 71 BPM | ||
| 29 Ways | Hans Theessink | A♭ Major | 4 | 4B | 93 BPM | ||
| Midnight Whiskey Bar | Shelby Street Blues | G Minor | 3 | 6A | 180 BPM | ||
| I Feel A Sin Coming On | Shemekia Copeland | E♭ Major | 5 | 5B | 122 BPM | ||
| Walking | Big Daddy Wilson, Hans Theessink | E♭ Major | 3 | 5B | 124 BPM | ||
| I'm Still Leaving You | Katie Webster | E♭ Major | 5 | 5B | 118 BPM | ||
| I Can't Wait | Kenny Neal | G Major | 6 | 9B | 127 BPM | ||
| The Kennedy Song | Mighty Mo Rodgers | A Minor | 5 | 8A | 97 BPM | ||
| Cry No More | Danielle Nicole | D♭ Major | 6 | 3B | 204 BPM | ||
| Baby I Need It All | Chris Beard | B♭ Minor | 7 | 3A | 184 BPM | ||
| Take Me To The Lord | NEW OLD BLUES, Daylight Rapture | G Minor | 3 | 6A | 82 BPM | ||
| Havin' Fun | Big Bill Morganfield | C Major | 3 | 8B | 73 BPM | ||
| Six String Blessing | Ronnie EarlThe Broadcasters | D Minor | 4 | 7A | 123 BPM | ||
| Too Little, Too Late | Karen Lovely | A Major | 4 | 11B | 137 BPM | ||
| Never Felt No Blues | Karen Lovely | F Major | 5 | 7B | 184 BPM | ||
| Stranger Things | Lloyd Spiegel | E Minor | 4 | 9A | 98 BPM | ||
| Rainy Night in Georgia | Ana Popovic, Milton Popovic | F Major | 4 | 7B | 144 BPM | ||
| Leave Me Alone | Eden Brent | B♭ Major | 3 | 6B | 141 BPM | ||
| Too Late for Us | Thorbjørn Risager & The Black Tornado, Emil Balsgaard | G Major | 7 | 9B | 96 BPM | ||
| Ramblified | Fiona Boyes | G Minor | 2 | 6A | 120 BPM | ||
| Canned Heat | Fiona Boyes | F Minor | 6 | 4A | 100 BPM | ||
| Walk A Mile In My Blues | Curtis Salgado | C Major | 9 | 8B | 100 BPM |