- BPM
- 90
- Key
- E Major
- Camelot
- 12B
Giulietta e Romeo, Act II: No. Intendi bene per tuo bene (Tebaldo) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi Song Details
"Giulietta e Romeo, Act II: No. Intendi bene per tuo bene (Tebaldo)" by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi had its release date on 1955. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zandonai: Giulietta e Romeo by Riccardo Zandonai, Anna Maria Rovere, Angelo Lo Forese, Angelo Questa. The song's track number on the album is #12 out of 22 tracks. In terms of popularity, Giulietta e Romeo, Act II: No. Intendi bene per tuo bene (Tebaldo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Giulietta e Romeo, Act II: No. Intendi bene per tuo bene (Tebaldo) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Giulietta e Romeo, Act II: No. Intendi bene per tuo bene (Tebaldo) being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.971 dB
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 19%
- Instrumentalness
- 86%
- Liveness
- 25%
- Loudness
- 63%
- Speechiness
- 6%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | |
 | Puccini : Tosca : Act 2 "Vissi d'arte" [Tosca] | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica | E Major | 1 | 12B | 106 BPM | |
 | Bizet: Les pêcheurs de perles, Act 1: "Le ciel est bleu !" (Chœur, Nourabad, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Jacques Mars, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | |
 | Giulietta e Romeo / Act 3: Giulietta! Son io! | Riccardo Zandonai, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | F Major | 1 | 7B | 86 BPM | |
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 | Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 163 BPM | |
 | Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | |
 | Manon Lescaut / Act 2: In quelle trine morbide | Giacomo Puccini, Mirella Freni, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 163 BPM | |
 | Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live) | Riccardo Zandonai, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni | D♭ Minor | 2 | 12A | 176 BPM | |
 | Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | |
| Francesca da Rimini, Act I: O Francesca, anima mia (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Pinuccia Perotti, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | G Minor | 10 | 6A | 96 BPM | |
 | Bellini: I puritani: "E di morte lo stral non sarà lento" (Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | |
 | Tosca, Act I: Eccellenza, vado? – Gente là dentro! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Giorgi Manoshvili, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Giulietta e Romeo, Act II: Aiuto! Aiuto!... Pel tuo Dio! (Isabella, Romeo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Ornella Rovero, Renato Capecchi | F Minor | 3 | 4A | 76 BPM | |
 | Der fliegende Holländer, Act III: Willst jenen Tag du nicht dich mehr entsinnen "Cavatina" | Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | |
 | Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM | |
 | Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM | |
 | Turandot / Act 1: O giovinetto! Grazia, grazia! (Coro, Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 75 BPM | |
| Manon Lescaut / Act 2: Che ceffi son costor? ... Sulla vetta tu del monte | Giacomo Puccini, James Levine, Dwayne Croft, Mirella Freni, Cecilia Bartoli, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | B♭ Major | 0 | 6B | 131 BPM | |
 | Lasciatemi, lasciatemi andar via ! | Riccardo Zandonai, Gianandrea Gavazzeni | D Major | 4 | 10B | 115 BPM | |
| Tosca, Act I: Qual occhio al mondo | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Puccini: Tosca, Act 2 Scene 4: "Nel pozzo... nel giardino… Floria! … Amore" (Tosca, Scarpia, Sciarrone, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Carlo Bergonzi, Maria Callas, Giorgio Tadeo, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | |
 | Norma (Ed. Biondi & Minasi), Act I Scene 1: Me protegge, me difende | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | E♭ Major | 4 | 5B | 59 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records