On May 23, 2001, the song "Tere Teliphone Ne Pavaye Pitne" was released by Kartar Ramla, Manjeet Kaur. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Supna Ho Gayi Paliye". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Tere Teliphone Ne Pavaye Pitne is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tere Teliphone Ne Pavaye Pitne by Kartar Ramla, Manjeet Kaur having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kehar Singh Di Maut - Kuldip Manak | Kuldeep Manak | F Minor | 6 | 4A | 107 BPM | ||
| Manak House | Tru-Skool, Kaos Productions, Kuldeep Manak, Kartar Ramla, Sukhwant Kaur, Mohd. Sadiq, Surinder Shinda, Jagmohan Kaur, A.S. Kang, Kuldip Manak, Gurdas Maan | E Major | 9 | 12B | 196 BPM | ||
| Yari Pardesiyan Di | Sardool Sikander, Amar Noori | E Major | 7 | 12B | 139 BPM | ||
| Kariyae Baith Salah Mitra | Amarjeet Nagina, Param Brar | D♭ Major | 8 | 3B | 86 BPM | ||
| Vadhaiyan Jee Vadhaiyan | Harbhajan Mann | A Major | 4 | 11B | 82 BPM | ||
| Bhain Meri Di Dhad Vajai | Jagga Safri, Kiranjoti | D Major | 10 | 10B | 96 BPM | ||
| Charh Laindey Jawani | Hakam Bakhtarwala, Daljeet Kaur | A♭ Minor | 9 | 1A | 169 BPM | ||
| Lahnga Lak Ton Tilkda | Hakam Bakhtariwala, Harnit Neetu | E Minor | 9 | 9A | 98 BPM | ||
| Supne Ch Ronda | Dharampreet | F Minor | 7 | 4A | 130 BPM | ||
| Chobran Nu Fire Dangdi | Amarjeet Nagina, Param Brar | B♭ Minor | 6 | 3A | 84 BPM | ||
| Gal Lag Ro Lavan | Davinder Kohinoor | E♭ Minor | 5 | 2A | 115 BPM | ||
| Kihdi Chitthi Pardha Deora | Avtar Chamak, Aman Jot | B Minor | 9 | 10A | 140 BPM | ||
| Mittran Ne Jamaan Lai Leya | Ravinder Grewal, Surpreet Soni | G Major | 7 | 9B | 135 BPM | ||
| Sanoon Ishq Laga Bharjai Da | Didar Sandhu, Snehlata | E♭ Minor | 8 | 2A | 136 BPM | ||
| Deyo Chhutiaan Maharaj | Gurdev Chahal | B♭ Minor | 4 | 3A | 167 BPM | ||
| Akh Sajan Di Akh Naal | Surjit Bindrakhia | A♭ Major | 8 | 4B | 160 BPM | ||
| Le Chal Mundiya Ve Naal | Didar Sandhu, Snehlata | C Major | 8 | 8B | 194 BPM | ||
| Sharab Vechdi | Satwinder Bugga | A Major | 8 | 11B | 150 BPM | ||
| Airport | Yudhveer | G Major | 6 | 9B | 141 BPM | ||
| Gora Rang Deyin Na Rabba | Sardool Sikander, Amar Noori | D♭ Minor | 7 | 12A | 83 BPM | ||
| N.P. Parmit Baabe Da | Avtar Chamak, Aman Jot | A♭ Major | 9 | 4B | 120 BPM | ||
| Gundawaa Shareer | Bagga Safri | A♭ Minor | 8 | 1A | 110 BPM | ||
| Chhada Jeth | Baaz Singh Baaz, Sukhwinder Sukhi | C Minor | 7 | 5A | 124 BPM | ||
| Bande Nu Bande De Kaam Aauna | Major Rajsthani | C Major | 7 | 8B | 82 BPM | ||
| Najhran Ne Khali Makhna | Hakam Bakhtarwala, Daljeet Kaur | A♭ Minor | 9 | 1A | 169 BPM |