"What Happened In Beirut" by Scott Shields had its release date on January 1, 2014. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Strike Back (Original Television Soundtrack)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, What Happened In Beirut is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With What Happened In Beirut by Scott Shields having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unauthorized Entry | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Let The Girls Out | Ryan Amon | G Major | 2 | 9B | 170 BPM | ||
| Lion Farm | Jack Halama, Scott Shields | E Minor | 3 | 9A | 101 BPM | ||
| The Badge | Bear McCreary | D Minor | 1 | 7A | 97 BPM | ||
| You Have No Idea | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Mimics and Alphas | Christophe Beck | A Major | 6 | 11B | 135 BPM | ||
| Torturing Frank | Harry Gregson-Williams | B♭ Minor | 4 | 3A | 112 BPM | ||
| The Night Shift | Stephen Baysted | B♭ Major | 1 | 6B | 115 BPM | ||
| Same grind | Alken Menses, Alk Mezain | D♭ Minor | 4 | 12A | 190 BPM | ||
| All Amounts To Nothing | Paul Saunderson | A Minor | 6 | 8A | 140 BPM | ||
| Space X | Nick Cave, Warren Ellis | E Major | 2 | 12B | 161 BPM | ||
| Covert Directive | Bleeding Fingers, David Murillo R. | D Major | 7 | 10B | 94 BPM | ||
| Death Follows Me | Jónsi | B Major | 2 | 1B | 94 BPM | ||
| It's Alive | Jon Ekstrand | A♭ Major | 0 | 4B | 110 BPM | ||
| Driftlayer | Velora | E Minor | 0 | 9A | 116 BPM | ||
| Young Cal | Jed Kurzel | D♭ Major | 2 | 3B | 90 BPM | ||
| Captive State | Rob Simonsen | F Minor | 8 | 4A | 120 BPM | ||
| Fantasy | Kathaphelia | B♭ Minor | 4 | 3A | 177 BPM | ||
| Ready, Set, GOAT | Kris Bowers | D Major | 7 | 10B | 94 BPM | ||
| Atlantida | Dabby West, Dabian Mimto | A♭ Major | 6 | 4B | 95 BPM | ||
| Indonesia: Going Mobile | Scott Shields, Paul Saunderson | D Major | 5 | 10B | 140 BPM | ||
| Step Aboard | Ryan Amon | A♭ Major | 3 | 4B | 110 BPM | ||
| The Chimera | Sarah Schachner | B Minor | 7 | 10A | 120 BPM | ||
| Chronos | Hi-Finesse | A Major | 6 | 11B | 122 BPM | ||
| Bildsköne Bengtssons glimt | Robert Johnson and Punchdrunks, Håkan Lidbo | D Major | 7 | 10B | 94 BPM |