- BPM
- 79
- Key
- B Minor
- Camelot
- 10A
Hush, no more by Henry Purcell, Calmus Ensemble Song Details
"Hush, no more" by Henry Purcell, Calmus Ensemble had its release date on August 1, 2012. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Hush, no more's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Touched". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Hush, no more is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Hush, no more by Henry Purcell, Calmus Ensemble having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -19.245 dB
- Acousticness
- 98%
- Danceability
- 30%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Writings: No. 1, Again (After Ecclesiastes) | David Lang, Cappella Amsterdam, Daniel Reuss | D Minor | 1 | 7A | 134 BPM | |
 | Fairest Isle | Henry Purcell, Jakub Józef Orliński, Aleksander Debicz, Wojciech Gumiński, Marcin Ułanowski | E Minor | 2 | 9A | 85 BPM | |
 | 4 Shakespeare Songs: No. 1, Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | G Major | 1 | 9B | 128 BPM | |
| 4 Shakespeare Songs: No. 2, Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | B♭ Major | 0 | 6B | 83 BPM | |
 | The Indian Queen, Z. 630 : Act III - Solo (Ismeron): You Twice Ten Hundred Deities | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | F♯ Minor | 1 | 11A | 96 BPM | |
 | Nun ist alles überwunden | Adam Drese, Voces Suaves, Akademie für Alte Musik Berlin | E Minor | 1 | 9A | 85 BPM | |
 | Fürchte dich nicht | Johann Christoph Bach, Vox Luminis, Lionel Meunier | A Minor | 0 | 8A | 96 BPM | |
 | Winterreise, D. 911: I. Gute Nacht | Franz Schubert, Noëmi Waysfeld, Guillaume De Chassy | G Major | 6 | 9B | 108 BPM | |
 | Actus Caritatis | Pēteris Vasks, Youth Choir "Kamer...", Patriks Kārlis Stepe | D Major | 1 | 10B | 132 BPM | |
 | Osculetur me osculo à 8 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | D Minor | 1 | 7A | 135 BPM | |
 | 3 Psalms, Op. 78: No. 3, "Mein Gott, warum hast du mich verlassen?" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A♭ Major | 2 | 4B | 83 BPM | |
 | To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | |
 | Matthäus-Passion, BWV 244: No. 39, Aria "Erbarme dich" (Alto) | Johann Sebastian Bach, Choir of King's College, Cambridge, Choir of Jesus College, Cambridge, Brandenburg Consort, Stephen Cleobury | E♭ Minor | 0 | 2A | 76 BPM | |
 | Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | |
 | The Rose | Ola Gjeilo, The Choir of Royal Holloway, 12 Ensemble | E Minor | 2 | 9A | 132 BPM | |
 | Folle è ben che si crede | Tarquinio Merula, Simone Kermes, La Magnifica Comunità, Enrico Casazza | C Major | 0 | 8B | 93 BPM | |
 | Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | |
 | Kodály: Mountain Nights: No. 1, Andantino | Zoltán Kodály, Ilona Andor, Kodaly Girls Choir | F Major | 1 | 7B | 113 BPM | |
 | Dowland: First Book of Songs or Ayres: No. 1, Come Again! Sweet Love Doth Now Invite | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 2 | 2B | 112 BPM | |
 | Requiem in F Minor, C 8: Ia. Introitus | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 180 BPM | |
 | Tykus tykus | Vaclovas Augustinas, En Kör | C Major | 1 | 8B | 82 BPM | |
 | Muusika | Kammerkoor Head Ööd Vend | F Major | 0 | 7B | 83 BPM | |
 | Gjeilo: Northern Lights | Ola Gjeilo, Apollo5 | D Minor | 1 | 7A | 136 BPM | |
 | Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | |
 | Lost Love | Thomas Otten | F Major | 5 | 7B | 113 BPM |
- ISRC
- DEB111205803
- Label
- L-M Records/RCA Records