On September 30, 2025, the song "خلى بالك انتى وحشتينى - لو جيه حد فتح فى حوارنا" was released by مصطفي الجن و هادي الصغير - تيم الابداع. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in خلى بالك انتى وحشتينى (لو جيه حد فتح فى حوارنا), so we believe that this song is a single. In terms of popularity, خلى بالك انتى وحشتينى - لو جيه حد فتح فى حوارنا is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of خلى بالك انتى وحشتينى - لو جيه حد فتح فى حوارنا by مصطفي الجن و هادي الصغير - تيم الابداع is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| فيلم الحياه صدمات | Ameen Khattab | G Major | 7 | 9B | 87 BPM | ||
| خطر فى ارض الموت ( دكن فى جهتكو بالسكاكين ) | Ameen Khattab, Hamo El Tikha | A♭ Major | 9 | 4B | 100 BPM | ||
| طز في الي راح | Boda Mohamed, Karim Cristiano | E♭ Minor | 9 | 2A | 110 BPM | ||
| انسان شاف العذاب الوان | حمو الطيخا | F♯ Minor | 9 | 11A | 100 BPM | ||
| كراسة الصدمات | Essam Sasa, Kimo Eldeeb | F Minor | 9 | 4A | 110 BPM | ||
| خمسه خمسه علينا يابا - اسود المدينه بنحضر نخض | Karim Cristiano, Yousef Osha | B♭ Minor | 10 | 3A | 103 BPM | ||
| مرحب بيك يالا يا ابونيه ( انا مش مسطول ولاه بير بترول ) | Halakolo, Essam Sasa | G Major | 8 | 9B | 108 BPM | ||
| Mahragan Melok El Hadad | Hamo Bika, Mody Amin, Ali Qadoura, Nour El Tot | B♭ Minor | 8 | 3A | 110 BPM | ||
| الي اتغير غيرتو | Magdy El Zahar | F♯ Minor | 8 | 11A | 100 BPM | ||
| Farhet Ayla Ard El Asafra | Hamo Bika, Miso Maysarah, El Shaeer El Fager | E Minor | 9 | 9A | 111 BPM | ||
| اشجيع السيما | وليد الحظ, مودى امين | B Minor | 9 | 10A | 107 BPM | ||
| فلوس البكايته بتحضر | ايهاب البوب, مصطفى الجن, هادى الصغير | F Major | 10 | 7B | 110 BPM | ||
| واقف عند باب المحكمة ( طول ما النص التانى بعيد ) | Magdy El Zahar | C Minor | 9 | 5A | 108 BPM | ||
| الي يشوفني هشوفه | Miso misara, Eslam Kabonga, Mody Amin | D♭ Major | 9 | 3B | 107 BPM | ||
| انا من الجيزة انت منين ياض | ايفا الايراني, Eslam Kabonga | B Minor | 9 | 10A | 106 BPM | ||
| في زمنا كترو المرشدين | Mostafa Elgen, Halakolo | G Major | 8 | 9B | 106 BPM | ||
| باعت رصاصه مني ليكو ( بت انتي وحش ) | Tata Elnoby, Eslam Kabonga | D♭ Major | 8 | 3B | 107 BPM | ||
| لما صحبى قصدنى شيلتو | Hamo ElTikha, مودي امين | F Minor | 9 | 4A | 100 BPM | ||
| بحر مسا للجيل الجديد ( امتى الحريم بتجيب قدام ) | Hady El Soghayar, Mostafa El Gen | E Minor | 10 | 9A | 112 BPM | ||
| حب ليه يبعد عن عيني | تيتو بندق, حوده بندق | B Minor | 9 | 10A | 110 BPM | ||
| حكاية الاخرص | Abo Lila, Ahmed El Shab | F Major | 9 | 7B | 107 BPM | ||
| Elli Khalef Mamatsh | Resha Costa, Samara Now, Mody Amin | B Minor | 8 | 10A | 110 BPM | ||
| ازعل عليك يا صاحبى توب | حوده بوده, Eslam Kabonga | C Major | 9 | 8B | 108 BPM | ||
| اشتبك مالك مرتبك | Kalosha, Chetos | F♯ Major | 9 | 2B | 107 BPM | ||
| اتنين فى واحد انا وابو الشقايق | مصطفي الجن و هادي الصغير - تيم الابداع | F Minor | 9 | 4A | 110 BPM |