Chicago Ensemble (1997)'s ' "All That Jazz" was released on its scheduled release date, December 25, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "There's No Business Like Show Business". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, All That Jazz's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With All That Jazz by Chicago Ensemble (1997) having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Life Is Just A Bowl Of Cherries | Valarie Pettiford | D Major | 1 | 10B | 108 BPM | ||
| Freak Flag | John Tartaglia, Shrek Ensemble | A Major | 5 | 11B | 145 BPM | ||
| Raise the Roof | Julia Murney, The Wild Party Ensemble | A♭ Major | 5 | 4B | 179 BPM | ||
| A Stud And A Babe | Jimmy Roberts, Joe DiPietro | B♭ Minor | 3 | 3A | 151 BPM | ||
| Sixteen Going On Seventeen | Dan Truhitte, Charmian Carr | E♭ Major | 2 | 5B | 133 BPM | ||
| So Long, Farewell | Charmian Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Kym Karath, Heather Menzies, Debbie Turner | B♭ Major | 2 | 6B | 120 BPM | ||
| Burn | Phillipa Soo | D Major | 4 | 10B | 100 BPM | ||
| Wait for Me | André De Shields, Reeve Carney, Jewelle Blackman, Yvette Gonzalez-Nacer, Kay Trinidad, Kimberly Marable, Timothy Hughes, Hadestown Original Broadway Company, Malcolm Armwood, Jessie Shelton, John Krause, Ahmad Simmons, Khaila Wilcoxon, Anaïs Mitchell, T. | D Major | 5 | 10B | 89 BPM | ||
| Too Darn Hot | Broadway Cast Recording | D♭ Major | 2 | 3B | 82 BPM | ||
| When I Drive | Jeremy Jordan, Claybourne Elder | B Major | 7 | 1B | 115 BPM | ||
| Someone Like You | Lucy | F♯ Major | 2 | 2B | 173 BPM | ||
| Oklahoma? | Dirty Rotten Scoundrels Original Broadway Cast | B Major | 4 | 1B | 116 BPM | ||
| West Side Story: Act I: Tonight | Leonard Bernstein, Jim Bryant, Marni Nixon, Johnny Green, West Side Story Orchestra | D♭ Major | 1 | 3B | 84 BPM | ||
| Seventeen | Kevin Murphy, Laurence O'Keefe, Barrett Wilbert Weed, Ryan McCartan | A Major | 2 | 11B | 77 BPM | ||
| Jet Song | Mike Faist, Kyle Coffman, Kevin Csolak, John Michael Fiumara, Patrick Higgins, Jets | F Major | 4 | 7B | 72 BPM | ||
| Act Two: I'm a Woman | B.J., Brenda, DeLee And Pattie | F Major | 6 | 7B | 146 BPM | ||
| Come So Far (Got So Far To Go) | Elijah Kelley, Zac Efron, Queen Latifah, Nikki Blonsky, Motion Picture Cast of Hairspray | F Major | 9 | 7B | 165 BPM | ||
| Fine | Hunter Foster, Lisa Brescia | A Major | 3 | 11B | 181 BPM | ||
| Skid Row (Downtown) | Carla J. Hargrove | B♭ Major | 4 | 6B | 139 BPM | ||
| What I Know Now | Leslie Kritzer, Beetlejuice Original Broadway Cast Recording Ensemble | G Major | 6 | 9B | 161 BPM | ||
| Whipped into Shape | 'Legally Blonde' Ensemble, Michael Rupert, Nikki Snelson | F♯ Major | 5 | 2B | 119 BPM | ||
| As Long As He Needs Me | Sally Dexter | E Major | 0 | 12B | 125 BPM | ||
| Chicago, Illinois | Lesley Ann Warren, Victor / Victoria Company | A Minor | 5 | 8A | 146 BPM | ||
| Razzle Dazzle | Richard Gere | D Major | 3 | 10B | 122 BPM | ||
| The History of Wrong Guys | Annaleigh Ashford | B♭ Major | 6 | 6B | 130 BPM |