"Préludes, No. 7" by Federico Mompou had its release date on January 1, 2009. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Préludes, No. 7's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Federico Mompou's "Mompou: Complete Piano Works" album is number 56 out of 111. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Préludes, No. 7 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Préludes, No. 7 by Federico Mompou to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 13 Preludes, Op. 32: No. 5 in G Major: Moderato | Sergei Rachmaninoff, Boris Giltburg | G Major | 0 | 9B | 66 BPM | ||
| Quasi Adagio Sz. 42 | Béla Bartók, Joanna Sochacka | G Major | 0 | 9B | 74 BPM | ||
| Cascade I | Julius Asal | E Major | 1 | 12B | 64 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
| The Branch - Grand Piano | Thomas Adès, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
| Nocturne No. 17 in C Major, H.61 | John Field, Elizabeth Joy Roe | C Major | 1 | 8B | 95 BPM | ||
| 8 Pièces brèves, Op. 84: V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
| Segundo cuaderno: XII. Lento | Federico Mompou | F Major | 0 | 7B | 173 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
| Élégie, Op. 126 No. 7 | Cécile Chaminade, Anna Miernik | D♭ Major | 1 | 3B | 63 BPM | ||
| Nocturne No. 16 In F Major, H. 62: Nocturne No. 16 In F Major | Benjamin Frith, John Field | F Major | 0 | 7B | 71 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| 3 Preludi Sopra Melodie Gregoriane, P. 131: III. Lento | Ottorino Respighi, Konstantin Scherbakov | F♯ Minor | 0 | 11A | 66 BPM | ||
| Musette en rondeau | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 68 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Trois Morceaux pour piano: I. D’un vieux jardin | Lili Boulanger, Adriana von Franqué | A Minor | 6 | 8A | 105 BPM | ||
| An die Musik, D. 547 (Arr. Moore) | Franz Schubert, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| 3 Visions: No. 2, Summerland | William Grant Still, Althea Waites | G Major | 0 | 9B | 68 BPM | ||
| Intermezzos, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Stephen Hough | B♭ Minor | 0 | 3A | 76 BPM | ||
| Impresiones intimas: II. Pajaro triste | Federico Mompou, Olena Kushpler | D♭ Major | 0 | 3B | 79 BPM | ||
| Prélude, Fugue et Variation, Op. 18: I. Prélude. Andantino | César Franck, Mao Fujita | A Major | 3 | 11B | 80 BPM |