Lonely Robot's 'Why Do We Stay?' had a release date set for March 10, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Please Come Home". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Why Do We Stay? is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Why Do We Stay? by Lonely Robot having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Promises | Barock Project | C Major | 8 | 8B | 133 BPM | ||
| Love in the Past Tense | Porcupine Tree | D Minor | 5 | 7A | 150 BPM | ||
| Leland Street | Guilt Machine | E Minor | 5 | 9A | 88 BPM | ||
| Machines and Men | Airbag | A Minor | 6 | 8A | 144 BPM | ||
| Pane of Truth | Sylvan | B♭ Minor | 5 | 3A | 118 BPM | ||
| Nestle In | Bruce Soord | D♭ Major | 4 | 3B | 91 BPM | ||
| Altered States | Rick Miller | F Major | 5 | 7B | 120 BPM | ||
| The Walk Part I | Gazpacho | A Minor | 4 | 8A | 152 BPM | ||
| Diamonds | Fish On Friday | B♭ Major | 4 | 6B | 140 BPM | ||
| Eternal Light | Knight Area | A Major | 4 | 11B | 120 BPM | ||
| Ragusa | Damanek | D Minor | 8 | 7A | 120 BPM | ||
| Even Less | Porcupine Tree | G Major | 5 | 9B | 124 BPM | ||
| How Bright Is the Sun? | Lonely Robot | A Minor | 4 | 8A | 130 BPM | ||
| Take It To The Sun | Martin Orford | D♭ Major | 8 | 3B | 124 BPM | ||
| Numb, Pt. 2 | Lee Abraham | G Major | 8 | 9B | 95 BPM | ||
| Realm of In-Organic Beings | Sound Of Contact | E♭ Major | 7 | 5B | 150 BPM | ||
| Prologue (Deep Sleep) | Lonely Robot | D♭ Minor | 3 | 12A | 140 BPM | ||
| Justified | This Winter Machine | G Major | 6 | 9B | 119 BPM | ||
| Sigma | Lonely Robot | A Major | 9 | 11B | 155 BPM | ||
| La Muerta | Subsignal | A♭ Minor | 9 | 1A | 135 BPM | ||
| Kill the Orchestra | Frost* | E Minor | 7 | 9A | 89 BPM | ||
| Forest Fire | Southern Empire | D Major | 9 | 10B | 166 BPM | ||
| The Quartermaster | Nad Sylvan | E Minor | 8 | 9A | 178 BPM | ||
| Where Angels Fear To Tread | Subsignal | F Minor | 7 | 4A | 92 BPM | ||
| Tick Tock Part III | Gazpacho | D Minor | 3 | 7A | 111 BPM |