Yasunori Mitsuda's 'Robo's Theme - Jazz Arrangement' had a release date set for January 26, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "SQUARE ENIX JAZZ -CHRONO TRIGGER-". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. In terms of popularity, Robo's Theme - Jazz Arrangement is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Robo's Theme - Jazz Arrangement by Yasunori Mitsuda having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dark Hollow (five) | Stewart Copeland | B Minor | 7 | 10A | 179 BPM | ||
| Rock on the Road | Falcom Sound Team jdk | G Minor | 5 | 6A | 103 BPM | ||
| Pure a stream | 桜庭 統 | D♭ Major | 3 | 3B | 105 BPM | ||
| Octopath Traveler -Main Theme- | Yasunori Nishiki | A♭ Major | 6 | 4B | 132 BPM | ||
| Save/Load Screen | 崎元 仁 | B Minor | 3 | 10A | 80 BPM | ||
| FFVII REMAKE: Bombing Mission | 植松 伸夫 | D♭ Major | 9 | 3B | 83 BPM | ||
| Movement In Green | Nobuo Uematsu | D♭ Major | 5 | 3B | 200 BPM | ||
| OPENING STAGE | AKEMI KIMURA | A Minor | 9 | 8A | 155 BPM | ||
| At the Bottom of the Night | Malcolm Robinson | D Minor | 3 | 7A | 174 BPM | ||
| Background Story | 岩田 匡治 | F♯ Minor | 4 | 11A | 98 BPM | ||
| Party Composition | 崎元 仁 | B Minor | 3 | 10A | 80 BPM | ||
| 星導の旅路 | Yoko Shimomura, Haru Hayashi | E Minor | 2 | 9A | 170 BPM | ||
| Octopath Traveler II -Main Theme- | Yasunori Nishiki | C Major | 6 | 8B | 80 BPM | ||
| A Wish... | Hiroki Kikuta | A Minor | 2 | 8A | 70 BPM | ||
| Saber's Edge | Masashi Hamauzu | F Major | 6 | 7B | 156 BPM | ||
| The Great Archives | Eric W. Brown, Vincent Jones | E Minor | 1 | 9A | 51 BPM | ||
| 奮起 | T’s MUSIC | G Minor | 10 | 6A | 140 BPM | ||
| Trisection | 崎元 仁 | A Minor | 4 | 8A | 130 BPM | ||
| SHIELDNER SHELDON STAGE | AKEMI KIMURA | A Minor | 10 | 8A | 134 BPM | ||
| For the Time Past and the Souls Lost | 土屋俊輔 | A♭ Major | 1 | 4B | 76 BPM | ||
| Blue Fields | Nobuo Uematsu | C Minor | 3 | 5A | 159 BPM | ||
| 航海 アナザー・ワールド | Yasunori Mitsuda | A♭ Major | 2 | 4B | 106 BPM | ||
| Deepest woods | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | D Major | 3 | 10B | 75 BPM | ||
| サクヤ姫のテーマ | 竹岡智行 | A Minor | 2 | 8A | 62 BPM | ||
| At the End of Time | Yasunori Mitsuda, Trevor Alan Gomes | C Major | 1 | 8B | 78 BPM |