"Cube One" by Sean Murray had its release date on November 16, 2010. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 30 in Call of Duty: Black Ops (Original Game Soundtrack) by Sean Murray. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Cube One is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cube One by Sean Murray is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Underworld | Johan Söderqvist, Patrik Andrén | D♭ Major | 3 | 3B | 87 BPM | ||
| Our Business Has Rules | Jesse Harlin | D Minor | 4 | 7A | 145 BPM | ||
| Decline | Pawel Blaszczak | F Major | 3 | 7B | 140 BPM | ||
| THE GIRL | HEALTH | D♭ Major | 9 | 3B | 128 BPM | ||
| Cole MacGrath | Jim Dooley | E Minor | 3 | 9A | 105 BPM | ||
| Thunder | Alex Rehberg, Facepunch Studios | F Minor | 0 | 4A | 180 BPM | ||
| The Hourglass | Wilbert Roget, II | D Major | 3 | 10B | 72 BPM | ||
| Abra Macabre | Kevin Sherwood | D♭ Major | 10 | 3B | 120 BPM | ||
| Duty First | Wilbert Roget, II | D♭ Major | 4 | 3B | 126 BPM | ||
| Bourbon Beats - Sean Murray Remix | Kinky Movement, Sean Murray | E Minor | 6 | 9A | 120 BPM | ||
| Tram Station | Trevor Gureckis | A♭ Major | 2 | 4B | 75 BPM | ||
| Empty Windows | Barry DeVorzon, Sean Murray | E Minor | 1 | 9A | 128 BPM | ||
| Shadowed | Mark J Hadley | C Major | 0 | 8B | 135 BPM | ||
| The Warmongers | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Who Is My Enemy | Alexey Omelchuk | F Major | 2 | 7B | 91 BPM | ||
| The Dead Survive | Trevor Gureckis | D♭ Major | 6 | 3B | 146 BPM | ||
| End Credits | Samuel Laflamme | E Minor | 3 | 9A | 147 BPM | ||
| Panthers | Sean Murray | C Major | 4 | 8B | 130 BPM | ||
| Hank's Last Stand | Dave Porter | B♭ Major | 1 | 6B | 90 BPM | ||
| Shining Lights, Even in Death | Ludvig Forssell | F♯ Minor | 0 | 11A | 79 BPM | ||
| Splinter Cell Conviction Theme Menu | Amon Tobin, Kid Koala | F Minor | 5 | 4A | 117 BPM | ||
| Finale | Samuel Laflamme | C Minor | 2 | 5A | 96 BPM | ||
| Exfiltrate the Hotzone | Ludvig Forssell | D♭ Major | 6 | 3B | 102 BPM | ||
| The Shadow Under the Mountain | Wilbert Roget, II | E Major | 2 | 12B | 83 BPM | ||
| A Burning Escape | Justin Burnett, Ludvig Forssell | A Major | 5 | 11B | 105 BPM |