Eleven Instrusions III: The Rose by Harry Partch, Donald Pippin, Bill Snead, Betty Johnston, Ben Johnston Song Details

"Eleven Instrusions III: The Rose" by Harry Partch, Donald Pippin, Bill Snead, Betty Johnston, Ben Johnston had its release date on January 1, 2004. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Harry Partch Collection, Volume 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Eleven Instrusions III: The Rose is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Eleven Instrusions III: The Rose by Harry Partch, Donald Pippin, Bill Snead, Betty Johnston, Ben Johnston having a BPM of 50 with a half-time of 25 BPM and a double-time of 100 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -23.008 dB
Acousticness: 98%
Danceability: 57%
Energy: 14%
Instrumentalness: 22%
Liveness: 12%
Loudness: 62%
Speechiness: 8%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Lux aeterna: Lux aeterna	György Ligeti, Cappella Amsterdam, Daniel Reuss	C Major	0	8B	54 BPM
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego"	Lou Harrison, American Composers Orchestra, Dennis Russell Davies	B Minor	0	10A	87 BPM
Slow Dance	Pierre Bastien, Michel Banabila	B♭ Minor	2	3A	146 BPM
Ionisation	Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee	A Major	6	11B	128 BPM
Metastaseis	Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo	A Minor	2	8A	80 BPM
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Finalité	Mark Dresser, Fred Frith, Gerry Hemingway, Phil Minton, John Oswald, Bob Ostertag, John Zorn	D Major	3	10B	99 BPM
Cells 17-21	Terry Riley, Brooklyn Raga Massive	C Major	7	8B	111 BPM
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The Games: Spaceship (Arr. M. Gordon for Chamber Ensemble)	Meredith Monk, Bang On A Can All-Stars	E♭ Major	1	5B	144 BPM
The Giant	Bill Nace	D♭ Major	2	3B	139 BPM
Deep Cave	Ernst Reijseger	C Major	2	8B	83 BPM
Breathe Easy	Rylandiaa	F Minor	7	4A	147 BPM
Music for Marcel Duchamp (1947)	John Cage, Stephen Drury	B♭ Minor	0	3A	109 BPM
Hildegund	Seán Mac Erlaine, Caoimhín Ó Raghallaigh	G Major	2	9B	114 BPM
Dance in the Moon	Friedrich Wilckens, Lydia Kavina, Joshua Pierce	F Minor	0	4A	98 BPM
1ere Suite: Allemande	Johann Julius Sontag von Holt Sombach, Thomas Bloch	D Minor	0	7A	70 BPM
Dream	John Cage, Alexei Lubimov	C Minor	0	5A	67 BPM
After the Rain: III. Antiphon	Barry Guy, Richard Hickox, City of London Sinfonia	D Major	3	10B	83 BPM
Donnacha Dennehy: Land of Winter: IV. March	Donnacha Dennehy, Alarm Will Sound, Alan Pierson	D Minor	4	7A	97 BPM
Whatthefuckdoyouwant 1	Peter Brötzmann, Sonny Sharrock	F Major	5	7B	92 BPM
Klavierstück IV	Karlheinz Stockhausen, Miharu Ogura	F Minor	0	4A	83 BPM