Luke Gajdus's 'Touch' had a release date set for March 29, 2017. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Touch only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Touch's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Touch by Luke Gajdus having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Winter Movement | Matt Wilier | B♭ Minor | 1 | 3A | 63 BPM | ||
| The Day She Met Herself | Alex Kozobolis | B Major | 4 | 1B | 130 BPM | ||
| Ladder To The Sky | Nay Shalom | B♭ Major | 0 | 6B | 166 BPM | ||
| Better Now | PIAMINO | B♭ Minor | 0 | 3A | 92 BPM | ||
| Autumn on the Keys | Theo Vos | F Minor | 0 | 4A | 84 BPM | ||
| I Should Be Sleeping | Chad Lawson | F Major | 1 | 7B | 127 BPM | ||
| Somber Mood | Joseph Nimoh | E Minor | 0 | 9A | 68 BPM | ||
| With Wings Falling - Solo Piano | Levi Patel | D♭ Minor | 2 | 12A | 71 BPM | ||
| Too Soon | Tom Ashbrook | E♭ Major | 1 | 5B | 82 BPM | ||
| Muthos | Poltrock | B Minor | 0 | 10A | 52 BPM | ||
| All That Didn't Happen | Erik Slättberg | F Minor | 1 | 4A | 126 BPM | ||
| Flora | Henrik Lindstrand | A Minor | 0 | 8A | 65 BPM | ||
| Dreams Sleep | Daniel Schrage | A Major | 0 | 11B | 138 BPM | ||
| Soul Song No. 25 | Heikki Hallanoro | A♭ Minor | 0 | 1A | 77 BPM | ||
| Unverzagt | Alice Baldwin | E♭ Minor | 0 | 2A | 77 BPM | ||
| Duino | Nil Ciuró | G Minor | 3 | 6A | 160 BPM | ||
| Origination | Richard Goldsworthy | B♭ Major | 0 | 6B | 201 BPM | ||
| Morning Is A Certainty | Christopher Dicker | D♭ Minor | 1 | 12A | 69 BPM | ||
| bloem | BARTH. | C Minor | 1 | 5A | 110 BPM | ||
| Days Of Pearl | Elskavon | F Major | 0 | 7B | 123 BPM | ||
| Room at Midnight | Theo Vos | F♯ Major | 0 | 2B | 74 BPM | ||
| Beachcombing | Richard Luke, Amira Bedrush-Mcdonald | E Minor | 2 | 9A | 78 BPM | ||
| Crystal Sands | Alexis Ffrench | E♭ Major | 0 | 5B | 129 BPM | ||
| White sparks | Wilson Trouvé | B♭ Major | 1 | 6B | 106 BPM | ||
| The Melancholy of Unfinished Conversations | Async Ross | F♯ Minor | 1 | 11A | 163 BPM |