"Introduction" by Ingram Marshall had its release date on 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 10 in Alcatraz: Ingram Marshall by Ingram Marshall. Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Introduction by Ingram Marshall is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Leones Salvajes | el jievo chin | F♯ Major | 1 | 2B | 54 BPM | ||
| North Star: Étoile polaire (Arranged by James McVinnie) | Philip Glass, James McVinnie | C Minor | 0 | 5A | 126 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Rob pêa fjellet = Cries upon The mountains | Ingram Marshall, Jan Hafstrom, Margareta Asberg | F♯ Major | 1 | 2B | 74 BPM | ||
| My Heart's in the Highlands | Arvo Pärt, Alea Saxophone Quartet | F Minor | 0 | 4A | 138 BPM | ||
| Black Wigs | Matt Patrix | C Major | 0 | 8B | 71 BPM | ||
| Simulacra II | Ben Frost, Daníel Bjarnason | C Major | 0 | 8B | 71 BPM | ||
| Greenwood: Popcorn Superhet Receiver:, Pt. 1 | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | G Major | 1 | 9B | 86 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
| End of Summer Part 4 | Jóhann Jóhannsson, Hildur Guðnadóttir, Robert Aiki Aubrey Lowe | C Major | 0 | 8B | 66 BPM | ||
| Scar Tissue | Richard Skelton | E Minor | 2 | 9A | 114 BPM | ||
| Harang, Pt. 1 - From "Sátántangó" | Víg Mihály | F♯ Major | 1 | 2B | 93 BPM | ||
| Water Theme No.3 | Hanan Townshend | D Minor | 1 | 7A | 131 BPM | ||
| Organic | Philip Glass | D Minor | 0 | 7A | 65 BPM | ||
| Paura Nel Cuore | Marina Frescobaldi | A Major | 2 | 11B | 128 BPM | ||
| Reyja | Ben Frost, Daníel Bjarnason | C Major | 0 | 8B | 71 BPM | ||
| Stealing The Code | Ben Salisbury, Geoff Barrow | D Major | 2 | 10B | 75 BPM | ||
| Piano & Violoncello 25 | Irena And Vojtech Havlovi | A♭ Major | 1 | 4B | 84 BPM | ||
| Gossips Are Killing Me! | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Ave Maria Gratia Plena Iesus | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| Drone | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Laurie Anderson, Ashok Klouda | D Major | 1 | 10B | 79 BPM | ||
| The Hunt | Jonny Greenwood | B♭ Major | 4 | 6B | 90 BPM | ||
| Mirror To Vortex | Mica Levi | F Major | 3 | 7B | 102 BPM | ||
| Carbon Date Piano | Ernst Reijseger | F Major | 0 | 7B | 134 BPM |