"Easter Sunday" by Harry Gregson-Williams, Rupert Gregson-Williams had its release date on November 26, 2023. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Easter Sunday's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "The Gilded Age: Season 2 (Soundtrack from the HBO® Original Series)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Easter Sunday is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Easter Sunday by Harry Gregson-Williams, Rupert Gregson-Williams having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fate Has Smiled Upon Us | Marc Streitenfeld | E Minor | 4 | 9A | 91 BPM | ||
| Kissing Town | Anne Dudley | F Major | 1 | 7B | 135 BPM | ||
| Soul Outside | Antonio Pinto | D♭ Minor | 2 | 12A | 87 BPM | ||
| The Ocean Returns The Favour - From "Our Planet" | Steven Price | E Minor | 4 | 9A | 103 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| She Needs the Sea | Geoff Zanelli | G Major | 5 | 9B | 96 BPM | ||
| Speech | Harald Kloser, Thomas Wander | D Minor | 3 | 7A | 82 BPM | ||
| Walk The Plank | Klaus Badelt | D Major | 3 | 10B | 122 BPM | ||
| Duck Shoot | Rupert Gregson-Williams | D Minor | 1 | 7A | 120 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| A Window to the Past | John Williams | A Minor | 0 | 8A | 107 BPM | ||
| No Ordinary Dagger | Harry Gregson-Williams | D Minor | 2 | 7A | 87 BPM | ||
| The Blitz, 1940 | Harry Gregson-Williams | A♭ Major | 5 | 4B | 126 BPM | ||
| Never Going Back | Ari Posner, Amin Bhatia | F Minor | 2 | 4A | 95 BPM | ||
| The White Witch | Harry Gregson-Williams | A♭ Major | 1 | 4B | 79 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| Planting the Fields | Marc Streitenfeld | E Minor | 3 | 9A | 181 BPM | ||
| Front Titles (Inkheart) | Javier Navarrete | B Minor | 1 | 10A | 66 BPM | ||
| New Tail [2m15] | John Powell | G Major | 2 | 9B | 112 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| What Is Going on Here? | Geoff Zanelli | D Major | 1 | 10B | 124 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| I Will Return | Atli Örvarsson | A Minor | 3 | 8A | 72 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM |