Robert Schroeder's 'The Reason Why' had a release date set for April 1, 2010. This song is quite longer than the average track at 6 minutes and 21 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 11 in the song's album "New Frequencies Vol.1". In this album, this song's track order is #2. In terms of popularity, The Reason Why is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With The Reason Why by Robert Schroeder having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| RockNtronic | Robert Schroeder | F Minor | 7 | 4A | 90 BPM | ||
| Beyond This World | Enki Anuna | F Minor | 2 | 4A | 60 BPM | ||
| Battle of Los Angeles | Sj Ferguson | C Major | 2 | 8B | 52 BPM | ||
| Arabesque | Quasàr | A♭ Major | 4 | 4B | 196 BPM | ||
| Influencia | Eterna Oscuridad | B♭ Minor | 2 | 3A | 130 BPM | ||
| Abandonos | Eterna Oscuridad | D Major | 2 | 10B | 140 BPM | ||
| Obsidian Omens Origin | Rusthaze Sentinel | B♭ Minor | 8 | 3A | 137 BPM | ||
| Chilled Illusions | Narendraa Desaii | A♭ Minor | 2 | 1A | 138 BPM | ||
| Future Passing By | Robert Schroeder | F Minor | 2 | 4A | 158 BPM | ||
| Searching in Vain | Peter Baumann | A Major | 7 | 11B | 176 BPM | ||
| Last Rise Of The Balloon | Nautilus | D Minor | 6 | 7A | 120 BPM | ||
| Sometimes Ridiculous | Robert Schroeder | A Minor | 6 | 8A | 120 BPM | ||
| Quantic | Khandahar | E♭ Minor | 0 | 2A | 159 BPM | ||
| Stream | B.W.L. | D Major | 4 | 10B | 142 BPM | ||
| Autopilot | Grains Of Sound | D Major | 4 | 10B | 96 BPM | ||
| Tu Piel | el jettty | D Major | 2 | 10B | 81 BPM | ||
| Momentos Especiales | Eterna Oscuridad | B♭ Major | 1 | 6B | 81 BPM | ||
| Voices of Where | Michael Hoenig | G Minor | 0 | 6A | 74 BPM | ||
| Towers Of Light (Lichtwellen Instrumental) | David M. Williams, Voodoo Slinky | C Major | 5 | 8B | 193 BPM | ||
| Sensing Colours | Andreas Baaden | G Major | 4 | 9B | 160 BPM | ||
| Healing Frequencies Field | Shajan | B Major | 4 | 1B | 125 BPM | ||
| Astral Vortex | Harry James | D♭ Major | 1 | 3B | 110 BPM | ||
| Stan | Amaliya Aliyeva, Amy A | D Major | 2 | 10B | 80 BPM | ||
| Waveshape | Robert Schroeder | B Minor | 7 | 10A | 133 BPM | ||
| Post Humanity | OLD | G Major | 8 | 9B | 100 BPM |