Bring Me The Head Of Paul McCartney On Heather Mill's Wooden Peg (Dropping Bombs On The White House) by The Brian Jonestown Massacre Song Details

On March 17, 2008, the song "Bring Me The Head Of Paul McCartney On Heather Mill's Wooden Peg (Dropping Bombs On The White House)" was released by The Brian Jonestown Massacre. This song is quite longer than the average track at 6 minutes and 27 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in The Brian Jonestown Massacre's "My Bloody Underground" album is number 1 out of 13. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Bring Me The Head Of Paul McCartney On Heather Mill's Wooden Peg (Dropping Bombs On The White House) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

We consider the tempo marking of Bring Me The Head Of Paul McCartney On Heather Mill's Wooden Peg (Dropping Bombs On The White House) by The Brian Jonestown Massacre to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 17%
Loudness: -16.14 dB
Acousticness: 72%
Danceability: 70%
Energy: 50%
Instrumentalness: 74%
Liveness: 11%
Loudness: 73%
Speechiness: 3%
Valence: 82%

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