"En natus est Emmanuel" by Michael Praetorius, Ensemble Vocal D'Avignon, Ensemble instrumental d'Avignon, Georges Durand, Lucienne Antonini had its release date on November 17, 1997. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. En natus est Emmanuel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble Vocal D'Avignon, Ensemble instrumental d'Avignon, Georges Durand, Lucienne Antonini's "Musiques spirituelles du soir : Nativité" album is number 9 out of 13. En natus est Emmanuel is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of En natus est Emmanuel by Michael Praetorius, Ensemble Vocal D'Avignon, Ensemble instrumental d'Avignon, Georges Durand, Lucienne Antonini to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
| Es ist ein Ros' entsprungen | Michael Praetorius, Zurich Chamber Singers, Christian Erny | F♯ Major | 1 | 2B | 75 BPM | ||
| A und O | Athesinus Consort Berlin, Klaus-Martin Bresgott | C Minor | 1 | 5A | 78 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
| Mein gmüth ist mir verwirret | Hans Leo Hassler, Amarcord | B Major | 3 | 1B | 111 BPM | ||
| Magi veniunt | Jacob Clemens non Papa, New York Polyphony | A♭ Minor | 1 | 1A | 81 BPM | ||
| En m'en revenant de sainct nicolas / Questa dolce sirena / La bourrée (Sección Central) / Bourèe d'avignonez | Anonymous, Giovanni Giacomo Gastoldi, Michael Praetorius, The Royal Wind Music, Paul Leenhouts | F♯ Major | 1 | 2B | 116 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
| Geh aus, mein Herz, und suche Freud | August Harder, Gustav Gunsenheimer, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | A Minor | 1 | 8A | 115 BPM | ||
| E'en So, Lord Jesus, Quickly Come (feat. Paul Manz) | The National Lutheran Choir, Paul Manz | B♭ Minor | 1 | 3A | 94 BPM | ||
| Her kjem me, dine arme smaa (Arr. Idunn Vindspoll) | Johann Abraham Peter Schulz, Idunn Vindspoll, Elias Blix, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg Weyde, Inger-Lise Ulsrud | A Major | 1 | 11B | 66 BPM | ||
| Terpsichore (arr. H. Baumer): Courante | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 3 | 9B | 111 BPM | ||
| Der Nussknacker, Op. 71: VIII. Im Tannenwald | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, Markus Poschner | C Major | 2 | 8B | 108 BPM | ||
| Non Somnos Requiem | Piffaro | D Major | 1 | 10B | 154 BPM | ||
| Missa Presulem ephebeatum: I. Kyrie | Heinrich Isaac, Cappella Mariana, Vojtěch Semerád | D Minor | 2 | 7A | 83 BPM | ||
| Mass in E-Flat Major, Op. 109, "Cantus Missae": I. Kyrie | Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale | E♭ Major | 1 | 5B | 130 BPM | ||
| Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
| The First Nowell - Arr. for choir and soprano by Ola Gjeilo | Traditional, UCI Chamber Singers, Irene Messoloras, Isabelle Knowles | F♯ Minor | 1 | 11A | 72 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| For Unto Us A Child Is Born | His Majestie's Clerkes | F♯ Major | 1 | 2B | 91 BPM | ||
| Christe, Redemptor Omnium | Ivo Antognini, Desmond Earley, Declan Wildes, Katherine Hunka, Aoife Nic Athlaoich, The Choral Scholars of University College Dublin | G Major | 1 | 9B | 110 BPM | ||
| O Jesulein, mein Jesulein: I. | Johann Hermann Schein, Lionel Meunier, Bart Jacobs, Zsuzsi Tóth, Caroline Weynants | D Minor | 0 | 7A | 94 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: I. Ubi caritas | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | D Major | 0 | 10B | 78 BPM |