Skydiggers's 'She Comes Into the Room' had a release date set for January 1, 1993. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Skydiggers's "Just Over the Mountain" album is number 4 out of 12. On top of that, Canada appears to be the country where this track was created. Based on our statistics, She Comes Into the Room's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of She Comes Into the Room by Skydiggers to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Snowbird | Catherine MacLellan | A♭ Major | 4 | 4B | 136 BPM | ||
| Subversives | Lowest of the Low | E Major | 3 | 12B | 139 BPM | ||
| Chancellor | Gord Downie | C Major | 4 | 8B | 103 BPM | ||
| She Is so Beautiful | Mike Scott | B Major | 4 | 1B | 106 BPM | ||
| Bye Bye Montreal | Amelia Curran | F♯ Major | 4 | 2B | 121 BPM | ||
| Whole Damn World | Lee Harvey Osmond, Tom Wilson | A Major | 3 | 11B | 138 BPM | ||
| Shine | Junkhouse | D Major | 8 | 10B | 82 BPM | ||
| I Am Lost | Gord Downie | C Major | 6 | 8B | 160 BPM | ||
| Rogers Park | Justin Townes Earle | D♭ Major | 5 | 3B | 198 BPM | ||
| Rosy and Grey | Lowest of the Low | G Major | 8 | 9B | 119 BPM | ||
| Battlefords | Hawksley Workman | G Major | 7 | 9B | 120 BPM | ||
| Small Of My Heart | Madison Violet | G Major | 5 | 9B | 140 BPM | ||
| The Good Years | The Sadies | F♯ Major | 6 | 2B | 87 BPM | ||
| Long Time Comin' | John Hiatt | E♭ Major | 4 | 5B | 81 BPM | ||
| Water In The Ground | Catherine MacLellan | B♭ Major | 2 | 6B | 127 BPM | ||
| Even When I'm Blue | Steve Earle | D Major | 6 | 10B | 112 BPM | ||
| Sleeping in the Devil's Bed | Daniel Lanois | D Major | 2 | 10B | 103 BPM | ||
| Wastin' Time | Peter Wolf | G Major | 3 | 9B | 131 BPM | ||
| I Will Always Love You | Adam Baldwin | E♭ Major | 4 | 5B | 121 BPM | ||
| A Ride Back Home | John Mellencamp | F♯ Minor | 5 | 11A | 97 BPM | ||
| Beauty | Matthew Good | B Minor | 7 | 10A | 80 BPM | ||
| Emerald Isle | Whitehorse | C Major | 8 | 8B | 139 BPM | ||
| What Do We Do Now | John Hiatt | D Major | 3 | 10B | 130 BPM | ||
| My Own Sunrise | Crash Test Dummies | A Major | 4 | 11B | 175 BPM | ||
| Sonic Boom | Gear Daddies | E Major | 1 | 12B | 106 BPM |