Bhakta Raj Acharya's ' "Ram Yahi Chhana" was released on its scheduled release date, March 31, 2005. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Samarpan Bhajan-1". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Norway. Based on our statistics, Ram Yahi Chhana's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ram Yahi Chhana by Bhakta Raj Acharya having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jhalar Baje | BAPS Swaminarayan Sansth | B Major | 6 | 1B | 135 BPM | ||
| Toora Chi Terizhi | Nashenas | B♭ Major | 6 | 6B | 102 BPM | ||
| Pokhiyera Ghamko | Narayan Gopal | D Major | 4 | 10B | 158 BPM | ||
| Ne Kaandibaa Ne Kaandibaa | Bhupen Hazarika | B Major | 3 | 1B | 140 BPM | ||
| Timra Pauharuma | Natikaji, Taradevi | F Major | 7 | 7B | 130 BPM | ||
| Elo Re Elo | Arundhati Holme Chowdhury, Salil Chowdhury | E Minor | 5 | 9A | 129 BPM | ||
| Tara Matra Hoina | Premdhoj Pradhan | D♭ Major | 5 | 3B | 61 BPM | ||
| Darshan Dyo | Anupama Deshpande / Bhumi / Sachin Limaye / Mandar Shinde | G Minor | 5 | 6A | 84 BPM | ||
| Bagia Mein Amba | Asha Bhosle, Suresh Wadkar | G Major | 8 | 9B | 188 BPM | ||
| Patha Indan Api | Rathna Sri Wijesinghe, Victor Rathnayake | D Minor | 5 | 7A | 147 BPM | ||
| Timi Hami Yasari Bhet Bhako Din | Kabita Ale, Komal oli, Pabitra Subba, Prem Raj Mahat | A Minor | 7 | 8A | 106 BPM | ||
| Bandana | Bhakta Raj Acharya | C Major | 6 | 8B | 150 BPM | ||
| Jemon Sreeradha Kande | Shyamal Mitra | D♭ Major | 2 | 3B | 66 BPM | ||
| Aji Bramhoputra Holo Barniman | Bhupen Hazarika | B Major | 5 | 1B | 89 BPM | ||
| Timi Chhau Kaha | Deepa jha, Indrajeet Mijar | D Major | 6 | 10B | 146 BPM | ||
| Charile Ta Chhadera | Alok Shree, Ram Krishna Dhakal | D♭ Major | 7 | 3B | 150 BPM | ||
| Jago He Nagar Basi | Amar Pal | C Major | 3 | 8B | 116 BPM | ||
| Hari Mon Mojaye | Manabendra Mukherjee | D♭ Major | 3 | 3B | 78 BPM | ||
| Biddaloy Moder | Syed Abdul Hadi, Runa Laila | A♭ Major | 5 | 4B | 135 BPM | ||
| Aji Shrabanghanagahan Mohe | Debabrata Biswas | F Major | 4 | 7B | 180 BPM | ||
| Aakha Haru Sita Maile | Aruna Lama | F♯ Minor | 2 | 11A | 101 BPM | ||
| Mera Tera Manwa Kaise | Madan Gopal | G Minor | 5 | 6A | 87 BPM | ||
| Mon Keno Mayer Charanchhara | Dhananjay Bhattacharya | A♭ Major | 5 | 4B | 87 BPM | ||
| Dil Se Teri Nigah Jigar Tak Utar Gayi | K. L. Saigal | B♭ Major | 3 | 6B | 118 BPM | ||
| E Ki Labanye Purna Pran | Subinoy Roy | F Minor | 5 | 4A | 163 BPM |