On 2002, the song "Bloody Eyes" was released by Keith Hudson. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Rasta Communication". In this album, this song's track order is #3. Based on our statistics, Bloody Eyes's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bloody Eyes by Keith Hudson having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dangerous Match Three | Roots Radics | A♭ Major | 6 | 4B | 139 BPM | ||
| Slummy Ghetto | Bim Sherman | F♯ Major | 6 | 2B | 132 BPM | ||
| Rejoice Jah Jah Children | The Silvertones | A Major | 5 | 11B | 90 BPM | ||
| California | Keith Hudson | G Major | 5 | 9B | 131 BPM | ||
| I Man | Herman Chin Loy | B Minor | 1 | 10A | 146 BPM | ||
| Tougher Than Tough | I-Roy | B♭ Minor | 8 | 3A | 146 BPM | ||
| Judgement Dub | Tapper Zukie | B♭ Minor | 6 | 3A | 139 BPM | ||
| Conversation Dub (Bonus Track) | King Tubby | B Minor | 8 | 10A | 137 BPM | ||
| Dancing Version | Tommy McCook | B♭ Major | 6 | 6B | 166 BPM | ||
| Jubilation Dub | Joe Gibbs & The Professionals | B Minor | 7 | 10A | 129 BPM | ||
| All I Can Say | Love Joys | F♯ Minor | 6 | 11A | 127 BPM | ||
| Creation Rebel | Freddie McKay | A Minor | 5 | 8A | 76 BPM | ||
| L.S.D. - with Jah Thomas | Sly & The Revolutionaries, Jah Thomas | B♭ Major | 6 | 6B | 139 BPM | ||
| Run Rasta Run | Dennis Bovell, African Stone | F♯ Minor | 5 | 11A | 81 BPM | ||
| Every Wolf | The Slickers | B Major | 8 | 1B | 123 BPM | ||
| Change Chicago (feat. Real, King Ag & Keith Hudson) | Tomiko Dixon, Re'al, King AG, Keith Hudson | B♭ Major | 5 | 6B | 130 BPM | ||
| Spike Heel Shoes | Dillinger, Trinity | D Minor | 5 | 7A | 85 BPM | ||
| Natty Dub | Winston Edwards | A Minor | 5 | 8A | 141 BPM | ||
| The Great Red Spot | Prince Jammy | D Major | 6 | 10B | 145 BPM | ||
| Dub from Creation | Creation Rebel, Adrian Sherwood | A Minor | 8 | 8A | 130 BPM | ||
| Cocaine - with Jah Thomas | Sly & The Revolutionaries, Jah Thomas | E♭ Minor | 5 | 2A | 144 BPM | ||
| Stalag 17 | The Techniques All Stars | F Major | 8 | 7B | 165 BPM | ||
| Love Me Girl Version | Joe Gibbs | F Minor | 4 | 4A | 77 BPM | ||
| White Hall Scandal | Winston Edwards, Blackbeard | A Major | 4 | 11B | 149 BPM | ||
| Forward to Jah | The Jay Tees | D Minor | 5 | 7A | 135 BPM |