"Prologue" by Paul Cantelon had its release date on March 31, 2015. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 16 in Effie Gray (Original Motion Picture Soundtrack) by Paul Cantelon. In terms of popularity, Prologue is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prologue by Paul Cantelon is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eliza's Theme | John Debney | D♭ Major | 2 | 3B | 160 BPM | ||
| Départ chez la Bête | Pierre Adenot | A Minor | 2 | 8A | 69 BPM | ||
| Anne Miscarries | Paul Cantelon | E♭ Major | 2 | 5B | 94 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| The Romance | Paul Cantelon | F♯ Major | 1 | 2B | 85 BPM | ||
| In the Cage | Emilio Kauderer, Federico Jusid | D Minor | 1 | 7A | 70 BPM | ||
| In Jest or Earnest (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | A Minor | 1 | 8A | 89 BPM | ||
| Marina's Theme - The Wildflowers | Hanan Townshend | D♭ Minor | 1 | 12A | 92 BPM | ||
| The Lancasters Depart | James Schafer | C Minor | 0 | 5A | 79 BPM | ||
| Never Going Back | Ari Posner, Amin Bhatia | F Minor | 2 | 4A | 95 BPM | ||
| Grief | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Finale | Paul Cantelon | D Minor | 2 | 7A | 81 BPM | ||
| Waves of Solace | Celtroya | E Minor | 3 | 9A | 119 BPM | ||
| Anna Regina | Debbie Wiseman | G Minor | 1 | 6A | 115 BPM | ||
| Henry Is Hurt | Paul Cantelon | D♭ Major | 2 | 3B | 95 BPM | ||
| Tsuyako | Pakk Hui | F Major | 2 | 7B | 80 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
| Soul of the Age | Thomas Wander, Harald Kloser | E♭ Major | 2 | 5B | 173 BPM | ||
| Hamnet's Grave | Patrick Doyle | E Major | 2 | 12B | 136 BPM | ||
| Otros Perfiles | Las Guerreras | B♭ Major | 0 | 6B | 145 BPM | ||
| The Lost Waltz | Paul Cantelon, Lili Haydn | C Minor | 1 | 5A | 136 BPM | ||
| Organizacion | Emanuela Dellana | E Major | 3 | 12B | 105 BPM |