La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" by Hector Berlioz, Leonard Bernstein, New York Philharmonic Song Details

Hector Berlioz, Leonard Bernstein, New York Philharmonic's ' "La damnation de Faust, Op. 24: Rákóczy March "Hungarian March"" was released on its scheduled release date, 1961. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 10 in Berlioz: Benvenuto Cellini Overure, Op. 23 & Le carnaval romain Overture, Op. 9 & Roméo et Juliet, Op. 17 & Rákóczy March by Hector Berlioz, Leonard Bernstein, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

The tempo marking of La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" by Hector Berlioz, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

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Popularity: 11%
Loudness: -13.912 dB
Acousticness: 91%
Danceability: 49%
Energy: 32%
Instrumentalness: 91%
Liveness: 13%
Loudness: 77%
Speechiness: 3%
Valence: 62%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto	Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan	E Major	1	12B	85 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	1	3B	90 BPM
Berlioz: 8 Scènes de Faust, Op. 1, H 33: No. 4, Écot de joyeux compagnons (Histoire d'un rat) [Brander, Chorus]	Hector Berlioz, Yutaka Sado, Choeur de Radio France, Frédéric Caton, Orchestre Philharmonique de Radio France	F♯ Major	0	2B	168 BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	A Major	1	11B	96 BPM
Les Troyens, Op. 29, H 133, Act IV: No. 35b. "O pudeur! Tout conspire"	Hector Berlioz, London Symphony Orchestra, Ben Heppner, Sir Colin Davis, Michelle DeYoung	D♭ Major	1	3B	91 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	D Major	2	10B	112 BPM
La Damnation de Faust, Op. 24, H 111 / Pt. 2: Choeur de buveurs: Oh! qu'il fait bon	Hector Berlioz, Malcolm King, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti	A♭ Major	3	4B	143 BPM
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	97 BPM
Die Walküre: Magic Fire Music	Richard Wagner, George Szell, Cleveland Orchestra	G Major	2	9B	80 BPM
Macbeth, Act III: Ballet Music	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	F Major	1	7B	102 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic	F Major	6	7B	154 BPM
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	C Minor	4	5A	110 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Hänsel und Gretel: Overture (Prelude)	Engelbert Humperdinck, Wiener Philharmoniker, Sir Georg Solti	C Major	1	8B	91 BPM
Symphonie fantastique, H. 48: II. Un bal. Valse	Hector Berlioz, Orchestre de Paris, Klaus Mäkelä	A Major	1	11B	100 BPM
Symphony No. 1 in C Minor, Op. 11, MWV N 13: I. Allegro di molto - Live	Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin	C Minor	2	5A	127 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered	Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein	D♭ Major	0	3B	86 BPM
Piano Concerto No.2 In B Flat, Op.83: 4. Allegretto grazioso - Un poco più presto	Johannes Brahms, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein	B♭ Major	2	6B	107 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	149 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Symphony No. 8 in C Minor, WAB 108: II. Scherzo: Allegro moderato - Trio. Langsam	Anton Bruckner, Wiener Philharmoniker, Pierre Boulez	D♭ Major	1	3B	125 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée"	Georges Bizet, Scottish National Orchestra, Alexander Gibson	F Minor	5	4A	164 BPM
Suite pastorale: II. Danse villageoise	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	A Major	1	11B	126 BPM