"Piano Concerto in E Major, Op. 59: I. Moderato" by Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit had its release date on July 8, 1998. This song appears to be safe for all ages as it is not explicit. The track order of this song in Moritz Moszkowski's "Moszkowski: Piano Concerto in E Major / From Foreign Lands" album is number 1 out of 10. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Piano Concerto in E Major, Op. 59: I. Moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in E Major, Op. 59: I. Moderato by Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 1 in C Minor, Op 33: III. Coda. Allegro molto | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | F♯ Major | 1 | 2B | 105 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
| Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 2 in D Minor. Allegro non assai (Orch. Hallén) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 69 BPM | ||
| Threnody To the Victims of Hiroshima | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | F♯ Minor | 1 | 11A | 67 BPM | ||
| 15 Virtuosity Studies, Op. 72 “Per Aspera”: II. G Minor | Moritz Moszkowski, Alain Raës | G Minor | 2 | 6A | 104 BPM | ||
| 15 Virtuosity Studies, Op. 72 “Per Aspera”: VI. F Major | Moritz Moszkowski, Alain Raës | F Major | 2 | 7B | 112 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: I. Balletto Detto 'Il Conte Orlando' | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 125 BPM | ||
| Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 74 BPM | ||
| 4 Lyric Pieces, Op. 74: No. 4 Im alten Heim (In the Old Home) | Jean Sibelius, Håvard Gimse | D♭ Major | 0 | 3B | 60 BPM | ||
| Spanish Dances, Op. 12, Book 1: No. 2 in G major | Moritz Moszkowski, London Symphony Orchestra, Ataúlfo Argenta | G Major | 1 | 9B | 89 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
| Concerto grosso No.1: 1. Prelude: Allegro energico e pesante | Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson | B♭ Major | 3 | 6B | 129 BPM | ||
| 6 Pieces, Op. 94: No. 4 Berger et bergerette (Shepherd and Shepherdess) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 72 BPM | ||
| Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
| Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
| Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
| Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
| 12 Etudes d'execution transcendante, S139/R2b: No. 12 in B Minor, "Chasse neige" | Franz Liszt, Jenő Jandó | B♭ Major | 2 | 6B | 67 BPM | ||
| The Lark | Mikhail Glinka, Evgeny Kissin | B♭ Minor | 0 | 3A | 96 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 1. Madchens Wunsch(Zyczenie, The Maiden's Wish) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Nocturne in D-Flat Major, Op. 8 | Sergei Lyapunov, Elena Gaponenko | D♭ Major | 1 | 3B | 59 BPM | ||
| Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
| 15 Virtuosity Studies, Op. 72 “Per Aspera”: IX. D Minor | Moritz Moszkowski, Alain Raës | D Minor | 4 | 7A | 112 BPM |