Tariq Aziz, R. S. Kumar's 'Lai Lai Laila Gudi Kani Khaila' had a release date set for January 17, 2023. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 23 in Antakhyari Episode 26 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Lai Lai Laila Gudi Kani Khaila is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Lai Lai Laila Gudi Kani Khaila by Tariq Aziz, R. S. Kumar is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Chaliba Tora Mora | Asima Panda, Tariq Aziz | G Minor | 8 | 6A | 122 BPM | ||
| Jaai Phoola Lo Jaai Phoola | Govind, Pami | B♭ Minor | 8 | 3A | 141 BPM | ||
| chaha pieba asa asa | Kumar M, JOGESH JOJO, ASHISH KUMBHAR | E♭ Minor | 8 | 2A | 150 BPM | ||
| Prathama Dekharu | Binod Rathod, Nibedita | D♭ Minor | 10 | 12A | 103 BPM | ||
| Aiela Re Jhuluru Bali | Bibhu Kishore, Navia | A♭ Minor | 9 | 1A | 79 BPM | ||
| Tu Chaluthilu To Batare | Udit Narayan | G Major | 10 | 9B | 140 BPM | ||
| Lahar Mani | Ruku Suna, Ipsita Sahu | B Minor | 10 | 10A | 138 BPM | ||
| To Aakhire Mun Mo Aakhire Tu | Nibedita | G Major | 10 | 9B | 134 BPM | ||
| Mana Tote Deideli | Udit Narayan, Pamela Jain | B Minor | 9 | 10A | 158 BPM | ||
| Sahitya Didi - Tame Gapare Gapare | Babul Supriyo | B♭ Minor | 10 | 3A | 146 BPM | ||
| Chameli Hai Hai 2.0 | Pratham Kumbhar, Kiran Dash, Wetno | G Major | 10 | 9B | 112 BPM | ||
| Chinnama | Pratham Kumbhar, Archana Padhi | A♭ Minor | 7 | 1A | 77 BPM | ||
| Munha Munhi Dekha Hele | Humane Sagar, Pragyan Hota | G Major | 7 | 9B | 96 BPM | ||
| Machhiku Ma Boli | Bibhu Kishore, Asima Panda | F♯ Minor | 9 | 11A | 180 BPM | ||
| Nabin Babu Bhari Badhia | Tariq Aziz | D♭ Major | 9 | 3B | 139 BPM | ||
| Nali Faraka Bali - Dharma Nikiti | K. Sanu, Sadhna S. | B♭ Minor | 7 | 3A | 141 BPM | ||
| Tate Bhala Pai Kete | Udit Narayan, Ira Mohanty | D♭ Minor | 8 | 12A | 98 BPM | ||
| Darling O My | Muna Aziz | B Minor | 9 | 10A | 134 BPM | ||
| Lachaka Mani Baby | Antara Chakraborty, Debesh Pati | A Minor | 10 | 8A | 116 BPM | ||
| Sharamilata | Santanu Nayak, Seetal Kunmun, Santosh Nayak | B♭ Minor | 9 | 3A | 90 BPM | ||
| Maar Panat Kani | Swagatika Tripathy | G Minor | 9 | 6A | 116 BPM | ||
| Milona Tum To Hai Sona | Antara Chakraborty, Swayam Padhi, Rudra Prasad Nayak | G Minor | 9 | 6A | 80 BPM | ||
| Kaha Kebe Sajibu Tu Mo Ghare Rani | BISHNU MOHAN KABI, Anatara Chakraborty | F♯ Minor | 8 | 11A | 92 BPM | ||
| Mate Gali Dei Paru | Tariq Aziz, Sital Kabi | B Major | 5 | 1B | 96 BPM | ||
| E Nali Chidia Tika - Original | Raja Hasan | G Major | 10 | 9B | 148 BPM |