"First Date" by Deborah Lurie had its release date on January 1, 2010. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. First Date's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 21 in Dear John by Deborah Lurie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. First Date is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of First Date by Deborah Lurie is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Homer's Lessons - Instrumental | Rachel Portman, John Lenehan, David Snell | G Major | 0 | 9B | 78 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| September 11th | Deborah Lurie | B♭ Minor | 1 | 3A | 64 BPM | ||
| Home To A Welcome Village | Randy Edelman | E Major | 2 | 12B | 176 BPM | ||
| Karen's Letter | Edward Shearmur | G Major | 0 | 9B | 65 BPM | ||
| Viva Voce | Jóhann Jóhannsson | C Major | 1 | 8B | 87 BPM | ||
| Remembering Tessa | George Kallis | B Minor | 4 | 10A | 95 BPM | ||
| Chasing Mules | Deborah Lurie | E♭ Major | 1 | 5B | 120 BPM | ||
| The Kiss - Score | John Debney | A Major | 1 | 11B | 40 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Take Away | John Powell | A Major | 0 | 11B | 170 BPM | ||
| Reduced To Ruins | Steven Price | E Major | 1 | 12B | 75 BPM | ||
| Why Not Make A New Kind Of Pencil? | Geoff Zanelli | D Major | 2 | 10B | 99 BPM | ||
| Harry & Grace Make Peace | Trevor Rabin | C Major | 1 | 8B | 74 BPM | ||
| Go And Help People | Fernando Velázquez | E Minor | 2 | 9A | 82 BPM | ||
| Forces of Attraction | Jóhann Jóhannsson | G Major | 1 | 9B | 104 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| Soul Outside | Antonio Pinto | D♭ Minor | 2 | 12A | 87 BPM | ||
| Great Love Surrounds What is Surrounding You | Mark McKenzie | D Minor | 1 | 7A | 73 BPM | ||
| Rosie Dunne, Can I Take You to the Dance ? | Ralf Wengenmayr | G Major | 2 | 9B | 79 BPM | ||
| Make Your Own Decision | Ari Posner, Amin Bhatia | D Major | 0 | 10B | 180 BPM | ||
| The Longest Ride | Mark Isham | E Major | 0 | 12B | 107 BPM | ||
| The Rain | Maurizio Malagnini | G Major | 2 | 9B | 89 BPM | ||
| The Beach and the Past | Stephen Warbeck | G Minor | 1 | 6A | 70 BPM | ||
| Ever After: a Cinderella Story | George Fenton, Simon Chamberlain | B♭ Major | 0 | 6B | 96 BPM |