Terry Riley's ' "Zamorra" was released on its scheduled release date, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The book Of Abbeyozzud". In this album, this song's track order is #6. Zamorra is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Zamorra by Terry Riley having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slow Melody In Bhairavi | Terry Riley | D Major | 0 | 10B | 74 BPM | ||
| Raga Bihag Alap | Terry Riley, Brooklyn Raga Massive | C Major | 1 | 8B | 87 BPM | ||
| Invocation of the Silent Stars | Arjun Tara | E Minor | 0 | 9A | 73 BPM | ||
| Sono Arrivate le Streghe | Marina Frescobaldi | D♭ Major | 2 | 3B | 35 BPM | ||
| Before Meaning Comes | Ian William Craig | B Major | 1 | 1B | 130 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| 2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic | Harry Partch, Just Strings | C Major | 1 | 8B | 79 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
| Barby | Aughra | A Major | 4 | 11B | 139 BPM | ||
| Model 2 | Karlheinz Stockhausen, Electric Phoenix | E Minor | 0 | 9A | 87 BPM | ||
| Dream Dialogue | Brecht Ameel | A♭ Major | 2 | 4B | 172 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Ms. P. | Barre Phillips | G Major | 0 | 9B | 76 BPM | ||
| Wrong Turn | DreamWants | F Minor | 3 | 4A | 80 BPM | ||
| Viva Shona | Jon Hassell | A Minor | 4 | 8A | 128 BPM | ||
| Fullness Of Wind (Variation On 'The Canon In D Major' By Johann Pachelbel) - Remastered 2004 | Brian Eno | D Major | 2 | 10B | 88 BPM | ||
| Clockwork Toccata, Op. 68 | Fulvio Caldini, Amsterdam Loeki Stardust Quartet | G Minor | 1 | 6A | 94 BPM | ||
| Cells 17-21 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Piano & Violoncello 15 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 131 BPM | ||
| Chords of Creation | Yugen Maestro | F♯ Major | 0 | 2B | 104 BPM |