Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding's 'Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: VIII. Deuxième air des Chasseurs et des chasseresses en rondeau' had a release date set for August 26, 2016. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 14 in Berlioz: Symphonie Fantastique - Rameau: Suite de Hippolyte et Aricie by Swedish Radio Symphony Orchestra, Daniel Harding. Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: VIII. Deuxième air des Chasseurs et des chasseresses en rondeau is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: VIII. Deuxième air des Chasseurs et des chasseresses en rondeau by Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
| Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
| Scarlatti, D: Keyboard Sonata in B Minor, Kk. 27 | Domenico Scarlatti, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
| Sonata in F Minor, L. 118 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
| Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | ||
| Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM | ||
| Handel: Keyboard Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Handel: Keyboard Suite in G Minor, HWV 434: IV. Menuet (With Alternate Kempff Version) | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
| Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM | ||
| Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
| Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | ||
| L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Prélude, Fugue et Variation, Op. 18, M. 30 (Arr. for Piano by Ignaz Friedman) | César Franck, Joseph Banowetz | B Minor | 0 | 10A | 107 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Fantasia in A Minor 'Alia Fantasia' | Nicola Matteis Jr., Théotime Langlois de Swarte | D♭ Major | 1 | 3B | 99 BPM | ||
| Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM |