James Barbour's ' "Slinky Dress / Grumpy Mood (from Adrift In Macau)" was released on its scheduled release date, May 10, 2005. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 48 in the song's album "Neo: Live Complete Recording (Original Cast The York Theatre)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Slinky Dress / Grumpy Mood (from Adrift In Macau) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Slinky Dress / Grumpy Mood (from Adrift In Macau) by James Barbour having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| So Anyway - 2024 Remix & Remaster | Alice Ripley | A Major | 1 | 11B | 86 BPM | ||
| The Wedding Reception | Anthony Warlow, Carolee Carmello, Philip Hoffman | B Major | 5 | 1B | 77 BPM | ||
| No One Else | Denée Benton | F Major | 3 | 7B | 178 BPM | ||
| If Only | Jennifer Damiano, Venice Original Cast | B♭ Major | 4 | 6B | 181 BPM | ||
| Someday | Ciara Renée, Andrew Samonsky | A♭ Major | 2 | 4B | 88 BPM | ||
| Let Me Walk Among You | Deven May | E♭ Minor | 3 | 2A | 164 BPM | ||
| Live By The Hook - Original Broadway Cast Recording | Kelsey Grammer | D Major | 5 | 10B | 127 BPM | ||
| Evening Prayers | Molly Ranson, Marin Mazzie | F Major | 3 | 7B | 87 BPM | ||
| No More Candy | Laura Benanti | A♭ Major | 2 | 4B | 94 BPM | ||
| I've Grown Accustomed to Her Face | Harry Hadden-Paton | C Major | 4 | 8B | 93 BPM | ||
| Days of Plenty | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | A♭ Major | 3 | 4B | 95 BPM | ||
| The Proposal | James Barbour, Marla Schaffel | A Minor | 3 | 8A | 80 BPM | ||
| You Are My Home | Christine Andreas | B Major | 3 | 1B | 89 BPM | ||
| This Never Happened Before - Bonus Track | Jeremy Jordan, Laura Osnes | E♭ Major | 1 | 5B | 131 BPM | ||
| I Wonder What the King Is Doing Tonight | Andrew Burnap | E♭ Major | 4 | 5B | 127 BPM | ||
| The Way It Ought to Be (London) [feat. James Barbour] | Jill Santoriello, James Barbour | F Major | 4 | 7B | 218 BPM | ||
| Our Children | Marin Mazzie, Peter Friedman | B Minor | 1 | 10A | 82 BPM | ||
| Mountain Duet | Chess In Concert | F Major | 2 | 7B | 86 BPM | ||
| There's a Girl | The Secret Garden Ensemble | C Minor | 2 | 5A | 82 BPM | ||
| The Proposal / The Night Was Alive | Maury Yeston, Brian D'Arcy James, Martin Moran, Original Broadway Cast of Titanic: The Musical, Kevin Stites | B♭ Major | 1 | 6B | 110 BPM | ||
| Vivez | Douglas Sills | D Major | 2 | 10B | 90 BPM | ||
| No One Has Ever Loved Me | Original Broadway Cast Of 'Passion' | C Major | 0 | 8B | 117 BPM | ||
| Without Her | James Barbour | A♭ Major | 5 | 4B | 89 BPM | ||
| Stars | Philip Quast, Ross McCall | D Major | 2 | 10B | 182 BPM | ||
| Stranger | Bobby Steggert | E♭ Major | 8 | 5B | 174 BPM |