On October 1, 1969, the song "The Call" was released by Connie Smith. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. The Call's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 11 in Back In Baby's Arms by Connie Smith. In terms of popularity, The Call is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Call by Connie Smith is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Old Side of Town | Tom T. Hall | A Major | 5 | 11B | 109 BPM | ||
| Walk Out Backwards | Bill Anderson | D♭ Major | 5 | 3B | 190 BPM | ||
| Wild Side Of Life | Hank Thompson | D Major | 4 | 10B | 120 BPM | ||
| Mr. Record Man | Jeannie Seely | A Major | 6 | 11B | 115 BPM | ||
| The Bridge Washed Out | Warner Mack | G Major | 5 | 9B | 151 BPM | ||
| Put If Off Until Tomorrow - Original Recording | The Kendalls | D Major | 3 | 10B | 132 BPM | ||
| How You Drink The Wine | Amber Digby | F Major | 4 | 7B | 124 BPM | ||
| Only The Lonely | Sonny James | E Major | 4 | 12B | 104 BPM | ||
| How Great Thou Art | Connie Smith | F Major | 3 | 7B | 79 BPM | ||
| Bottom Of The Bottle | Ira Louvin | A Major | 4 | 11B | 92 BPM | ||
| You're Still On My Mind | Amber Digby | F Major | 4 | 7B | 90 BPM | ||
| The Key's in the Mailbox | Freddie Hart | A Major | 4 | 11B | 128 BPM | ||
| Close All the Honky Tonks | Charlie Walker | A Major | 4 | 11B | 163 BPM | ||
| You Don't Need to Move a Mountain | Jeanne Pruett | D Major | 3 | 10B | 114 BPM | ||
| Born To Be With You | Sonny James | D Major | 6 | 10B | 147 BPM | ||
| Charlie's Shoes - Remastered | Billy Walker | A Major | 5 | 11B | 142 BPM | ||
| Please Help Me, I'm Falling (In Love with You) | Janie Fricke | G Major | 2 | 9B | 72 BPM | ||
| At The Time | Jean Shepard | F Major | 6 | 7B | 127 BPM | ||
| I'll Call You Charlie (You Call Me Joan) | George Morgan, Marion Worth | G Major | 2 | 9B | 79 BPM | ||
| It Don't Feel Like Sinnin' To Me | The Kendalls | D Major | 4 | 10B | 117 BPM | ||
| All The Time | Jack Greene | B♭ Major | 2 | 6B | 100 BPM | ||
| Cryin' Time - Mono Single Version | Buck Owens & The Buckaroos | A♭ Major | 4 | 4B | 76 BPM | ||
| My Heart Has a Mind of Its Own | Susan Raye | F Major | 4 | 7B | 113 BPM | ||
| Let Me Down Easy | Tompall & The Glaser Brothers | E Major | 3 | 12B | 74 BPM | ||
| Bonjour Tristesse (Hello Sadness) | Linda Manning | C Major | 3 | 8B | 102 BPM |