Florence Beatrice Price, Lara Downes's 'To A Red Rose' had a release date set for February 14, 2020. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. To A Red Rose's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 15 in Florence Price Piano Discoveries by Florence Beatrice Price, Lara Downes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, To A Red Rose is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of To A Red Rose by Florence Beatrice Price, Lara Downes is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adoration | Florence Beatrice Price, Philippe Quint, Andrew Litton | G Major | 1 | 9B | 111 BPM | ||
| 6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
| Lieder ohne Worte, Op. 19b: No. 1 in E Major. Andante con moto, MWV U 86 | Felix Mendelssohn, Igor Levit | A Minor | 2 | 8A | 144 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| 2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 71 BPM | ||
| String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
| Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
| Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 2 | 8B | 175 BPM | ||
| Symphony No. 1 in E Minor: III. Juba Dance. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 110 BPM | ||
| Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
| Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
| Soir et matin, Op. 76: I. Soir | Mel Bonis, Neave Trio | E Minor | 0 | 9A | 63 BPM | ||
| Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 81 BPM | ||
| Symphony No. 4 "Autochthonous": I. Moderately fast | William Grant Still, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 1 | 12B | 90 BPM | ||
| Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Minor | 1 | 9A | 108 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM |