On May 29, 2009, the song "Old Time Used To Be" was released by Wolf Mail. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolf Mail's "Live Blues In Red Square" album is number 1 out of 9. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Old Time Used To Be is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Old Time Used To Be by Wolf Mail to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mama's Last Goodbye | Blues & Blues | E Minor | 5 | 9A | 183 BPM | ||
| So What | Debbie Davies | E Minor | 8 | 9A | 145 BPM | ||
| Arizona Blues | Anibal Camus, Kuatro de Paz, Jonathan Dos Anjos | C Major | 3 | 8B | 140 BPM | ||
| Rumor de asfalto | Novara | E Minor | 4 | 9A | 82 BPM | ||
| After Hours | Roy Buchanan | C Major | 5 | 8B | 174 BPM | ||
| Hayfork Meadow | Nordic Numa | F Minor | 2 | 4A | 89 BPM | ||
| Sad Blue Eyes | Corey Stevens | D♭ Major | 5 | 3B | 104 BPM | ||
| Silver Clip | Sketches of Silence | D♭ Major | 4 | 3B | 79 BPM | ||
| Positively Meant To Be | Jimmie Vaughan | C Major | 4 | 8B | 97 BPM | ||
| Blues is Here to Stay | Hubert Sumlin | D Major | 9 | 10B | 118 BPM | ||
| Ironforge Shed | Sketches of Silence | D Minor | 4 | 7A | 169 BPM | ||
| How Long | Wolf Mail | D♭ Major | 7 | 3B | 137 BPM | ||
| Buckboard Shuffle | Nordic Numa | D♭ Major | 4 | 3B | 112 BPM | ||
| Wagonwheel Pier | Nordic Numa | F Minor | 2 | 4A | 153 BPM | ||
| Mi Solea | Tom Principato | E Minor | 6 | 9A | 102 BPM | ||
| Losing Game | Danny Bryant's Redeyeband | F Major | 8 | 7B | 156 BPM | ||
| Hollow Diner | Cobalt Stories | G Major | 3 | 9B | 83 BPM | ||
| Sure As The Sun Rises | Monkey Beat, Jim Suhler | G Minor | 4 | 6A | 83 BPM | ||
| Suitcase Full of Blues | Victor Lawson and Boogie Chillen | D Major | 4 | 10B | 143 BPM | ||
| Blue Guitar | Ronnie Earl & The Broadcasters | B Minor | 4 | 10A | 185 BPM | ||
| I Got A Rich Man's Woman | Corey Stevens | D Major | 5 | 10B | 201 BPM | ||
| Whiskey Blues Intro | Whiskey Blues Man | G Major | 5 | 9B | 172 BPM | ||
| Here Comes The River | Dom Martin | B Major | 2 | 1B | 138 BPM | ||
| Pea Patch Blues | Floyd Lee & His Mean Blues Band, Joel Poluck | D Major | 4 | 10B | 187 BPM | ||
| Highway 69 | Wolf Mail | A♭ Major | 4 | 4B | 128 BPM |