Leigh Crizoe's ' "I'm Still in the Game" was released on its scheduled release date, September 12, 2020. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Still in the Game". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, I'm Still in the Game's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I'm Still in the Game by Leigh Crizoe having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thes Unsent Letters | Herni Brokens | F Major | 3 | 7B | 90 BPM | ||
| What I Did For Love | Spencer Day | G Major | 4 | 9B | 83 BPM | ||
| Velvet and Keys | Sam | C Major | 5 | 8B | 192 BPM | ||
| If I Forget, Blame the Moonlight | Adelaide Jazz Project | E Major | 2 | 12B | 74 BPM | ||
| Dopamine in D-Flat (From Neurotic Sessions) | Adelaide Jazz Project | C Major | 2 | 8B | 87 BPM | ||
| Careless Whisper (Slowfox 29) | DJ Maksy | C Minor | 3 | 5A | 146 BPM | ||
| Good Old Jazz | Soesja Citroen, Berend van den Berg, Ruud Ouwehand | B♭ Major | 2 | 6B | 189 BPM | ||
| Estate | Claudio Fiori Quintet | A Minor | 5 | 8A | 96 BPM | ||
| Velvet & Smoke | Thomas Junior Noem | B♭ Minor | 4 | 3A | 113 BPM | ||
| Shutter Rondo | Polaroid Sessions | C Minor | 3 | 5A | 73 BPM | ||
| On Top Of The World | Jeff Meegan, David Tobin, Steve Memmolo | C Major | 6 | 8B | 130 BPM | ||
| Cruising Down the River | Dan Gabel and his Orchestra, Kimberly Hawkey | A♭ Major | 9 | 4B | 146 BPM | ||
| A Moonlit Serenade | gizzy jazz | A Minor | 5 | 8A | 168 BPM | ||
| Umbrella Corridor | Monochrome Silence | C Minor | 2 | 5A | 81 BPM | ||
| You're My One and Only | Afternoon Reverie | A Minor | 4 | 8A | 93 BPM | ||
| No Promise of Tomorrow | Henri Duvallier | B♭ Minor | 4 | 3A | 134 BPM | ||
| Night and Day | Katerina McCrimmon | C Minor | 3 | 5A | 146 BPM | ||
| Wild and Free | Sydney Martini | A♭ Major | 3 | 4B | 76 BPM | ||
| Végtelen Út Végtelen Tánc | Zuluvmusic | C Minor | 3 | 5A | 146 BPM | ||
| Wet Asphalt Prelude | Monochrome Silence | A Minor | 3 | 8A | 76 BPM | ||
| Machinery | TAPA BLANCA | C Minor | 3 | 5A | 146 BPM | ||
| Valentine On New Years Eve | Mark Brignone | G Major | 3 | 9B | 126 BPM | ||
| I Was Doing All Right | Billy Stritch | B♭ Major | 4 | 6B | 145 BPM | ||
| FUJIYAMA HIGHBALL | Clap Stomp Swingin' | F Major | 4 | 7B | 127 BPM | ||
| I Like the Likes of You | Johnny Boyd | F Minor | 5 | 4A | 131 BPM |