"One To One" by Giles Lamb had its release date on April 21, 2011. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. One To One's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Transform". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, One To One is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With One To One by Giles Lamb having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humble Beginnings | Elijah Bossenbroek | A Minor | 1 | 8A | 99 BPM | ||
| India's Lament | Rhiannon Bannenberg | C Major | 0 | 8B | 64 BPM | ||
| Los ojos de Alicia | Mario Viñuela | E Minor | 2 | 9A | 80 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen | B♭ Minor | 0 | 3A | 85 BPM | ||
| Sonata in C-Sharp Minor, Op. 27: No. 2, "Moonlight": Adagio sostenuto | Mindru Katz | D♭ Minor | 0 | 12A | 144 BPM | ||
| Released | Ryan L Stewart, Ryan Stewart | D♭ Major | 1 | 3B | 134 BPM | ||
| Unseen (Bonus Track) | Helen Jane Long | F Major | 0 | 7B | 130 BPM | ||
| Travels | Doug Hammer | A Major | 2 | 11B | 165 BPM | ||
| Aerial | Keith Kenniff | F♯ Minor | 1 | 11A | 127 BPM | ||
| James Horner: Braveheart | The Dublin Sun | A Minor | 2 | 8A | 88 BPM | ||
| First Step from "Interstellar" : Piano Solo | REYNAH | A Minor | 2 | 8A | 100 BPM | ||
| Faded Dreams | Aaron Lansing | D Major | 5 | 10B | 118 BPM | ||
| Home, Pt. II | Armand Amar | D♭ Minor | 1 | 12A | 92 BPM | ||
| Saturnus | Misha Mishenko | C Major | 3 | 8B | 120 BPM | ||
| Birds | Giles Lamb | F Major | 2 | 7B | 69 BPM | ||
| The Truth | Audiomachine | A Minor | 4 | 8A | 152 BPM | ||
| Ladoga | Benjamin Dobbs | E♭ Major | 1 | 5B | 199 BPM | ||
| Le Brasier De Tristesse | Sylvain Chauveau | C Major | 1 | 8B | 113 BPM | ||
| Ambre | Nils Frahm | D♭ Major | 1 | 3B | 146 BPM | ||
| Splitscreen - A Love Story | Lennert Busch | A Minor | 0 | 8A | 140 BPM | ||
| Madison | Ola Gjeilo | B Minor | 1 | 10A | 113 BPM | ||
| The Last Stand | Shaun Taylor McManus | A Minor | 5 | 8A | 87 BPM | ||
| Dancing Spirits | Steven Cravis | A Minor | 3 | 8A | 82 BPM | ||
| Opening the Gates | Chequerboard | E Minor | 4 | 9A | 106 BPM | ||
| Play O'Clock - Instrumental | Curious Dreamers, Giles Lamb, Sacha Kyle | E♭ Major | 3 | 5B | 126 BPM |