"The Spot" by Nicholas Britell had its release date on October 21, 2016. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nicholas Britell's "Moonlight (Original Motion Picture Soundtrack)" album is number 6 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Spot is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Spot by Nicholas Britell to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Girl | Laurent Perez Del Mar | D Minor | 1 | 7A | 127 BPM | ||
| Let My Key Be C | Nils Frahm, Anne Müller | F Major | 3 | 7B | 164 BPM | ||
| Pendulum | Nils Frahm | F Minor | 1 | 4A | 166 BPM | ||
| Ambulance Chase | Ben Salisbury, Geoff Barrow | A♭ Major | 2 | 4B | 175 BPM | ||
| Bemidji, MN (Fargo Series Main Theme) | Jeff Russo | D Minor | 1 | 7A | 85 BPM | ||
| The Final Chapter | Ólafur Arnalds | B♭ Minor | 0 | 3A | 84 BPM | ||
| Truths | Ludwig Göransson | A Minor | 1 | 8A | 129 BPM | ||
| It's Happening Again - Instrumental | Agnes Obel | B♭ Major | 3 | 6B | 172 BPM | ||
| Arriving at Fort Kiowa | Ryuichi Sakamoto | E Minor | 0 | 9A | 99 BPM | ||
| Water Theme No. 1 | Hanan Townshend | G Major | 2 | 9B | 69 BPM | ||
| Music for Marcel Duchamp | John Cage, Philipp Vandre | E♭ Major | 0 | 5B | 120 BPM | ||
| Erupting Light | Hildur Guðnadóttir, Jóhann Jóhannsson | D Minor | 2 | 7A | 56 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | ||
| What Will We Do? | Trent Reznor and Atticus Ross | C Minor | 0 | 5A | 68 BPM | ||
| Call Him Fonny / The Tombs / PTSD | Nicholas Britell | D Major | 1 | 10B | 184 BPM | ||
| Eden (LES) | Nicholas Britell | B♭ Major | 1 | 6B | 86 BPM | ||
| Headlines | Rupert Gregson-Williams, Lorne Balfe | A♭ Major | 3 | 4B | 128 BPM | ||
| First Night, First Day | Mychael Danna | A♭ Minor | 1 | 1A | 109 BPM | ||
| Final Fight | Ryuichi Sakamoto, Bryce Dessner | B Minor | 3 | 10A | 169 BPM | ||
| Losing Rachel | Jeff Beal | A♭ Major | 2 | 4B | 110 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| London Calling | Michael Giacchino | F Minor | 0 | 4A | 121 BPM | ||
| Five Sunflowers in A Vase | Clint Mansell | D Minor | 2 | 7A | 88 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| The Double Theme - Version 1 | Andrew Hewitt | F♯ Major | 3 | 2B | 140 BPM |