Toi et Moi's 'トワ・エ・モワの子守唄' had a release date set for June 5, 1971. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. トワ・エ・モワの子守唄's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ユートピア, so we believe that "トワ・エ・モワの子守唄" is a single. In terms of popularity, トワ・エ・モワの子守唄 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of トワ・エ・モワの子守唄 by Toi et Moi is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| やさしさとして想い出として | ふきのとう | E♭ Major | 5 | 5B | 116 BPM | ||
| 恋のしずく | Yukari Itou | F Minor | 5 | 4A | 102 BPM | ||
| 赤いハイヒール | Hiromi Ota | A♭ Minor | 5 | 1A | 104 BPM | ||
| 今日までそして明日から | Toi et Moi | E Major | 5 | 12B | 91 BPM | ||
| 妹 | Kaguyahime | D Major | 5 | 10B | 163 BPM | ||
| 20才になれば | Junko Sakurada | B Minor | 5 | 10A | 99 BPM | ||
| Kono Sora wo Tobetara | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| 雪列車 | Kiyoshi Maekawa | E Minor | 7 | 9A | 104 BPM | ||
| なのにあなたは京都へゆくの | Cherish | F Major | 4 | 7B | 87 BPM | ||
| GOOD-BYE MORNING | Mayo Shono | G Major | 3 | 9B | 74 BPM | ||
| 時には娼婦のように | Toshio Kurosawa | D♭ Minor | 3 | 12A | 105 BPM | ||
| ブルー・ライト・ヨコハマ | Ayumi Ishida | D♭ Minor | 5 | 12A | 108 BPM | ||
| あなたがいたから僕がいた | Hiromi Go | D♭ Minor | 9 | 12A | 144 BPM | ||
| 想い出ぼろぼろ | Yasuko Naito | G Minor | 8 | 6A | 153 BPM | ||
| 嫁に来ないか | Kenji Niinuma | B♭ Major | 4 | 6B | 85 BPM | ||
| 地図にない町 | Alice | D Minor | 2 | 7A | 172 BPM | ||
| 地球は回るよ | Toi et Moi | G Major | 2 | 9B | 112 BPM | ||
| よこはま・たそがれ | Hiroshi Itsuki | B♭ Minor | 4 | 3A | 106 BPM | ||
| 中の島ブルース | Hiroshi Uchiyamada & Cool Five | F Major | 4 | 7B | 131 BPM | ||
| Mado Glass | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| ジューン・ブライド | Toi et Moi | C Major | 3 | 8B | 101 BPM | ||
| 射手座の女 | 敏いとうとハッピー&ブルー | F Minor | 5 | 4A | 136 BPM | ||
| 思えば遠くへ来たもんだ | Kaientai | B♭ Major | 7 | 6B | 88 BPM | ||
| 京都の恋 | Yuko Nagisa | G Minor | 5 | 6A | 146 BPM | ||
| 明日は月の上で | Fubuki Koshiji | A♭ Major | 2 | 4B | 122 BPM |