Taylor Davis's 'Elizabeth's Theme Medley (Bioshock Infinite)' had a release date set for April 23, 2013. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Elizabeth's Theme Medley (Bioshock Infinite)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Elizabeth's Theme Medley (Bioshock Infinite) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Elizabeth's Theme Medley (Bioshock Infinite)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Elizabeth's Theme Medley (Bioshock Infinite) by Taylor Davis is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An End, Once and for All (Mass Effect 3) | Taylor Davis, Lara de Wit | E Minor | 2 | 9A | 77 BPM | ||
| Light of Nibel (feat. Aeralie Brighton) | Gareth Coker, Aeralie Brighton | A Major | 5 | 11B | 80 BPM | ||
| Aloy's Theme (feat. Julie Elven) - Part 1 - Motherland | Joris de Man, Julie Elven | A Minor | 3 | 8A | 117 BPM | ||
| Healing the Great Fairy | Theophany | D♭ Minor | 7 | 12A | 120 BPM | ||
| Alone (End Credits) | Mikko Tarmia | F Minor | 1 | 4A | 135 BPM | ||
| Parasite Eve (Main Theme) | AnimeVivi | G Minor | 1 | 6A | 134 BPM | ||
| Bratja | Piano Squall | A Minor | 6 | 8A | 95 BPM | ||
| The Three Banners: Fanfare | Brad Derrick | A Minor | 3 | 8A | 99 BPM | ||
| Lucrezia Donati | Bear McCreary | E Minor | 0 | 9A | 108 BPM | ||
| Main Theme of Final Fantasy VII (Final Fantasy VII) | Nobuo Uematsu | D Major | 1 | 10B | 79 BPM | ||
| Buck In Hospital - Instrumental | Michael Kamen, London Metropolitan Orchestra | A Minor | 1 | 8A | 67 BPM | ||
| To Zanarkand (Final Fantasy X) | Taylor Davis | E Minor | 3 | 9A | 80 BPM | ||
| Casper's Lullaby | Mercuzio Pianist | E Minor | 0 | 9A | 91 BPM | ||
| Together We Will Live Forever | Clint Mansell | G Minor | 0 | 6A | 76 BPM | ||
| Divinity - Original Sin 2 - Main Theme | Borislav Slavov | B Minor | 2 | 10A | 180 BPM | ||
| Edith's Theme | Jeff Russo | D Minor | 0 | 7A | 74 BPM | ||
| BLACK HAWK DOWN: Leave No Man Behind | The Meridian Studio Ensemble | A Minor | 2 | 8A | 84 BPM | ||
| Main Theme from the Long Dark: Wintermute | Minerva Sheryl | B♭ Major | 2 | 6B | 92 BPM | ||
| Woods Darker Than Night | Cœur De Pirate | A♭ Major | 1 | 4B | 176 BPM | ||
| Elder Silence | David García Díaz | A Minor | 1 | 8A | 83 BPM | ||
| I Must Protect My Place | Dan Romer | D Minor | 2 | 7A | 140 BPM | ||
| The Far Road | Nick Cave & Warren Ellis | A Minor | 1 | 8A | 118 BPM | ||
| The Battle Begins | Glenn Stafford, Blizzard Entertainment | C Major | 4 | 8B | 96 BPM | ||
| My Name Is Robert Neville | James Newton Howard | E♭ Minor | 8 | 2A | 91 BPM | ||
| Go Tomorrow | The Newton Brothers | D Major | 0 | 10B | 77 BPM |