Doris Day, Les Brown & His Orchestra's ' "Celery Stalks At Midnight" was released on its scheduled release date, May 5, 2023. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 42 in the song's album "The Complete Okeh & Columbia Recordings 1940-1946". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Celery Stalks At Midnight's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Celery Stalks At Midnight by Doris Day, Les Brown & His Orchestra having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Camera Doesn`t Lie | Buddy Clark | E♭ Major | 2 | 5B | 92 BPM | ||
| Slap That Bass | Jimmy Dorsey & His Orchestra | A♭ Major | 3 | 4B | 186 BPM | ||
| I Got the Sun in the Morning | Doris Day | C Major | 1 | 8B | 106 BPM | ||
| Bell Bottom Blues | Alma Cogan | A Major | 2 | 11B | 124 BPM | ||
| Blue Devil Blues | Walter Page's Blue Devils | E♭ Major | 2 | 5B | 104 BPM | ||
| Puttin' on the Ritz | Fred Astaire | F♯ Major | 4 | 2B | 107 BPM | ||
| In a Shanty In Old Shanty Town | Doris Day | F Major | 0 | 7B | 64 BPM | ||
| You've Got Me Voodoo | Charlie Barnet | G Minor | 6 | 6A | 166 BPM | ||
| Ballin' The Jack | Kid Ory's Creole Jazz Band | B♭ Major | 3 | 6B | 146 BPM | ||
| I Want To Be Happy | June Christy | A Minor | 5 | 8A | 131 BPM | ||
| Ain't She Sweet | Jimmie Lunceford | D♭ Major | 1 | 3B | 149 BPM | ||
| You're the Top | Hal Kemp And His Orchestra, Skinnay Ennis | A Major | 3 | 11B | 107 BPM | ||
| Basin Street Blues | Connee Boswell | E♭ Major | 1 | 5B | 103 BPM | ||
| Me and My Melinda (with Johnny Desmond) | Gene Krupa & His Orchestra, Johnny Desmond | A♭ Major | 3 | 4B | 153 BPM | ||
| How Important Can It Be - Remastered | Joni James | D♭ Major | 3 | 3B | 87 BPM | ||
| Crazy Words - Crazy Tune (Vo-Do-De-O) | Irving Aaronson and His Commanders | E♭ Major | 2 | 5B | 172 BPM | ||
| That Old Black Magic (From "Star Spangled Rhythm") - Remastered 1994 | Glenn Miller, The Modernaires, Skip Nelson | E♭ Major | 2 | 5B | 85 BPM | ||
| The Boogie Man (with Chick Bullock) | Todd Rollins & His Orchestra, Chick Bullock | E Major | 6 | 12B | 153 BPM | ||
| Summer Has Gone | Doris Day | G Major | 3 | 9B | 93 BPM | ||
| On The Sunny Side Of The Street | Benny Goodman | G Minor | 1 | 6A | 122 BPM | ||
| My Man Stands Out | Julia Lee & Her Boyfriends | E♭ Major | 2 | 5B | 80 BPM | ||
| Just One of Those Things | Doris Day | F Major | 3 | 7B | 143 BPM | ||
| My Sweetie Went Away | The Rhythm Rascals, Sid Phillips, Swing Rhythm Boys | B♭ Major | 4 | 6B | 183 BPM | ||
| With Plenty Of Money And You | Hal Kemp And His Orchestra | G Minor | 1 | 6A | 184 BPM | ||
| (Where Are You) Now That I Need You (with The Mellomen) | Doris Day, John Rarig, The Mellomen | D♭ Major | 1 | 3B | 118 BPM |