Robert Pollock's 'Bridgeforms: II. Agitated' had a release date set for November 15, 2010. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Robert Pollock & Alfred Nieman: Piano Works". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Bridgeforms: II. Agitated is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Bridgeforms: II. Agitated by Robert Pollock having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moon Ritual | Luna Mystic | D Minor | 1 | 7A | 84 BPM | ||
| Recalling Chimes | Vanessa Lann, Ivo Janssen | F♯ Minor | 5 | 11A | 97 BPM | ||
| 7 Haikus: III. Poco andante | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | A♭ Major | 0 | 4B | 86 BPM | ||
| Préludes, Book 2, L. 123: No. 10, Canope | Claude Debussy, Catherine Kautsky | D Minor | 0 | 7A | 134 BPM | ||
| String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Juilliard String Quartet | C Minor | 2 | 5A | 108 BPM | ||
| Night | Fazıl Say, Lucas Jussen, Arthur Jussen | C Major | 1 | 8B | 99 BPM | ||
| Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Mipha's Theme (From "Breath of the Wild") | Koji Kondo, Yasuaki Iwata, Hajime Wakai, Manaka Kataoka, Jonnas Heisenberg | F Major | 0 | 7B | 67 BPM | ||
| Diversions: I. Desert Impression | Deon Nielsen Price | B♭ Minor | 1 | 3A | 83 BPM | ||
| 25 Préludes, Op.31: No. 8, La chanson de la folle au bord de la mer | Charles-Valentin Alkan, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| Silent Noon: Molto tranquillo (feat. Rachel Schutz & Robert Pollock) | Ebb & Flow Ensemble, Rachel Schutz, Robert Pollock | G Minor | 1 | 6A | 91 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Minor | 0 | 7A | 60 BPM | ||
| Cello Sonata in C Major, Op. 65: III. Elegia. Lento | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 76 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | E Major | 0 | 12B | 86 BPM | ||
| パガニーニ大練習曲集S141 第3曲嬰ト短調「ラ・カンパネラ」 | Franz Liszt, 角野隼斗 | A♭ Minor | 2 | 1A | 101 BPM | ||
| The Firebird's Lullaby | Igor Stravinsky, Idil Biret | A♭ Minor | 0 | 1A | 69 BPM | ||
| The Perilous Night: I. Crotchet = 176 | John Cage, Marc-André Hamelin | F♯ Major | 0 | 2B | 66 BPM | ||
| Hungarian Rhapsody No. 3 in B Flat, S. 244 | Franz Liszt, Roberto Szidon | B♭ Major | 1 | 6B | 80 BPM | ||
| The Storm | Philip Glass, Kronos Quartet | A Minor | 1 | 8A | 175 BPM | ||
| The Cellist of Sarajevo, Op. 12 | David Wilde, Yo-Yo Ma | D♭ Major | 0 | 3B | 79 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| The Pit | Yutaka Yamada | E♭ Major | 2 | 5B | 61 BPM | ||
| String Quartet No. 9 in E-Flat Major, Op. 117: II. Adagio - Live | Dmitri Shostakovich, Emerson String Quartet | D Major | 0 | 10B | 172 BPM | ||
| 12 Nocturnes: No. 4, Barcarola | Bent Sørensen, Katrine Gislinge | E Major | 0 | 12B | 86 BPM | ||
| Hommage à Haydn, L. 115, CD 123 | Claude Debussy, Jean-Efflam Bavouzet | E Minor | 0 | 9A | 76 BPM |