The Response's 'Ought To Be' had a release date set for February 9, 2012. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Response". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Ought To Be is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ought To Be by The Response having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Endless Romance | Superdays | A Major | 8 | 11B | 130 BPM | ||
| Take A Year | Lennon Wells | C Minor | 9 | 5A | 135 BPM | ||
| Arrival | Woodstone | F Minor | 7 | 4A | 138 BPM | ||
| Manic | Under High Street | B Minor | 6 | 10A | 147 BPM | ||
| swimming with sharks | NIGHTIES | D Major | 6 | 10B | 180 BPM | ||
| A Million Lives | Middle Monster | B♭ Major | 6 | 6B | 124 BPM | ||
| Song for a Sign | Breeze | B♭ Minor | 9 | 3A | 107 BPM | ||
| WHERE DO I GO? | Echoes Of The Remnant | B♭ Minor | 8 | 3A | 155 BPM | ||
| In a Heartbeat | Shaky | B♭ Minor | 8 | 3A | 155 BPM | ||
| Soul Shifter | THIRST TRAP, Lyrica Blue | C Major | 7 | 8B | 135 BPM | ||
| Born In The Wild End | Champ | B♭ Major | 7 | 6B | 125 BPM | ||
| I'm Not In The Right Mind - Sped-Up Version | Maudlin Strangers | F Minor | 10 | 4A | 128 BPM | ||
| Run Away - High-Energy | FAT CAT | B♭ Minor | 7 | 3A | 106 BPM | ||
| Hiding to Nothing | Cloning | E Minor | 8 | 9A | 130 BPM | ||
| In Between Us | Static Switch | E♭ Minor | 8 | 2A | 123 BPM | ||
| Stray | Del Perro | D♭ Minor | 8 | 12A | 151 BPM | ||
| Cloudless | Rounds | B Minor | 8 | 10A | 120 BPM | ||
| Deluxe Nightmare | ARK IDENTITY | F♯ Major | 8 | 2B | 128 BPM | ||
| Getting Older | Vindigo | C Major | 3 | 8B | 168 BPM | ||
| Lies | Karlmer | B Minor | 8 | 10A | 77 BPM | ||
| True Love Counterfeit | Violet Palms | A Major | 7 | 11B | 150 BPM | ||
| Night Crawling | The Howlers | G Major | 5 | 9B | 92 BPM | ||
| YMMFG (Feel Good) | Local Nomad | B♭ Minor | 8 | 3A | 155 BPM | ||
| Detonator | The Dirty Shirts | B♭ Minor | 8 | 3A | 204 BPM | ||
| Remarks | Creature Canyon | C Major | 6 | 8B | 96 BPM |