Vipin Sachdeva, Sadhana Sargam's ' "Humne Aaj Se Tumhen Yeh Naam" was released on its scheduled release date, October 25, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Suhane Pal - Lata Mangeshkar & Mohammed Rafi Romantic Duets, Vol. 1". In this album, this song's track order is #11. Furthermore, we believe that the track originated from India. Based on our statistics, Humne Aaj Se Tumhen Yeh Naam's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Humne Aaj Se Tumhen Yeh Naam by Vipin Sachdeva, Sadhana Sargam having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sheesha Chaahe Toot Bhi Jaaye | Udit Narayan | C Major | 6 | 8B | 82 BPM | ||
| Kasam Kya Hoti Hai (Part-I) | Asha Bhosle, Nitin Mukesh | D Major | 3 | 10B | 102 BPM | ||
| Akele Hai Chale Aao | Vipin Sachdeva | G Major | 6 | 9B | 142 BPM | ||
| Tumhare Siva Kuchh Na | Nikhil Vinay | D Major | 7 | 10B | 171 BPM | ||
| Tumhare Kehne Par / Kitni Mohabbat (From "Qayamat" / From "Dilwale") - Bollywood Dialogues with Song | Ajay Devgan, Neha Dhupiya, Kumar Sanu | F♯ Minor | 7 | 11A | 146 BPM | ||
| Sune Shri Hanuman Ki Katha | Vinod Rathod, Vipin Sachdeva | F♯ Major | 5 | 2B | 127 BPM | ||
| Aanewali Hain Milan Ki | Abhijeet | A Major | 8 | 11B | 177 BPM | ||
| Dil Na Kisi Ka Jaaye | Lata Mangeshkar, Kavita Krishnamurthy | B♭ Minor | 8 | 3A | 81 BPM | ||
| Om Jai Saraswati Mata | Vipin Sachdeva | A Minor | 9 | 8A | 93 BPM | ||
| Tumse Hai Kitna Pyar | Anuradha Paudwal, Vipin Sachdeva | D♭ Minor | 7 | 12A | 135 BPM | ||
| Ja A Tota Puchh Liha | Munna Matlabi | A♭ Major | 7 | 4B | 128 BPM | ||
| Na Chithiyan Na Koi Sandesa | Shobha Joshi | E♭ Major | 5 | 5B | 74 BPM | ||
| Main Ek Raja Hoon | Vipin Sachdeva | C Minor | 6 | 5A | 105 BPM | ||
| Aaja Re Saajan | Asha Bhosle, Shabbir Kumar | A Minor | 7 | 8A | 137 BPM | ||
| Mujhe Jeene Nahi Deti Hai | Mohammed Aziz | C Major | 7 | 8B | 91 BPM | ||
| Hum Tumhein Itna Pyar Karenge | Mohammed Aziz, Anuradha Paudwal | F Minor | 7 | 4A | 78 BPM | ||
| Jate Huye Ye Pal Chhin Kyon | Ravindra Jain | B Minor | 6 | 10A | 93 BPM | ||
| Kaun Hai Jo Sapnon Mein Aaya | Vipin Sachdeva | D Major | 8 | 10B | 115 BPM | ||
| Sajna Mein Teri Tu Mera | Anuradha Paudwal, Vipin Sachdeva | G Minor | 5 | 6A | 78 BPM | ||
| Maine Jee Liya Mar Liya | Nalin Dave, Alka Yagnik, Laxmikant–Pyarelal | F Minor | 7 | 4A | 99 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Mere Khayal Se Tum (From "Balmaa") | Nitin Mukesh, Asha Bhosle | G Minor | 7 | 6A | 118 BPM | ||
| Zalya tini sajna | Harsh Khaire | E♭ Major | 7 | 5B | 90 BPM | ||
| Zuba Zuba | Sapna Mukherjee | A♭ Major | 8 | 4B | 117 BPM | ||
| Kyun Dil Bichade | Tauseef Akhtar | B Minor | 7 | 10A | 80 BPM |