"アトム・ハーツ・クラブ・クァルテット: II. アンダンテ" by トルヴェール・クヮルテット had its release date on September 19, 2002. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. アトム・ハーツ・クラブ・クァルテット: II. アンダンテ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in トゥルーヴェ・トルヴェール! (トルヴェール・クヮルテット・ベスト), so we believe that "アトム・ハーツ・クラブ・クァルテット: II. アンダンテ" is a single. アトム・ハーツ・クラブ・クァルテット: II. アンダンテ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of アトム・ハーツ・クラブ・クァルテット: II. アンダンテ by トルヴェール・クヮルテット is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ラッシュ・ライフ | トルヴェール・クヮルテット, Toshiyuki Honda | D♭ Major | 1 | 3B | 165 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| Blind Spot | Epic Euphoniums Project, Gilles Rocha, Michal Worek | B♭ Major | 1 | 6B | 145 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | ||
| Fly or Die | Gilles Rocha, Peter Steiner, Constanze Hochwartner | G Minor | 2 | 6A | 132 BPM | ||
| Ballade Op.62 | Eugène Bozza, Ian Bousfield, Alison Procter | F Major | 0 | 7B | 70 BPM | ||
| Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): II. Modéré | Alison Balsom, Guy Barker Orchestra, Tim Redmond | A♭ Minor | 1 | 1A | 92 BPM | ||
| Ryukyuan Fantasy | Yasuhide Ito, Masato Kumoi Sax Quartet | G Minor | 1 | 6A | 140 BPM | ||
| Trombone Concerto: I. Moderato assai ma molto maestoso (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Major | 0 | 5B | 126 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Sonatina for Clarinet and Piano: I. Allegro con brio | Malcolm Arnold, Ronald Van Spaendonck, Eliane Reyes | G Minor | 2 | 6A | 144 BPM | ||
| Poem for Oboe & Piano | Marina Dranishnikova, David Walter, Magdalena Duś | B Major | 2 | 1B | 150 BPM | ||
| Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
| Sonata for Alto Saxophone and Piano, Op. 19: I. With Vigor | Paul Creston, Joseph Lulloff, Deborah Moriarty | B Major | 1 | 1B | 129 BPM | ||
| ソナタ: ソナタ: I. 精力的に | Paul Creston, Nobuya Sugawa, 小柳美奈子 | A♭ Minor | 2 | 1A | 126 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Romances, Op. 94: I. Nicht Schnell | James Markey | A Minor | 0 | 8A | 66 BPM | ||
| Trombone Concerto-Allego | Joseph Alessi and Philip Smith | F Minor | 1 | 4A | 99 BPM | ||
| Hommage á Richard Strauss for Clarinet Solo | Béla Kovács | F Minor | 0 | 4A | 109 BPM | ||
| Sinfonietta for Piano 4-Hands, Op. 49: III. Intermezzo. Allegretto | Nikolai Kapustin, Frank Dupree, Adrian Brendle | G Minor | 2 | 6A | 88 BPM | ||
| Ciudades: II. Sarajevo | Guillermo Lago, Fukio Ensemble | D♭ Major | 1 | 3B | 99 BPM | ||
| Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM |