Jimmy Webb's 'When Can Brown Begin' had a release date set for 1972. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jimmy Webb's "Letters" album is number 9 out of 10. Based on our statistics, When Can Brown Begin's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When Can Brown Begin by Jimmy Webb to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nothing Good Can Come from This | Amy Speace | A Major | 3 | 11B | 86 BPM | ||
| Leavin' | Shelby Lynne | A Minor | 3 | 8A | 120 BPM | ||
| beyond the lies | steve denvermoore | C Major | 4 | 8B | 91 BPM | ||
| Robbies Bar | Vinther | G Major | 5 | 9B | 112 BPM | ||
| Song For The Asking | Lori Lieberman | B♭ Major | 0 | 6B | 132 BPM | ||
| Sham-a-Ling-Dong-Ding | Jesse Winchester | D Minor | 4 | 7A | 100 BPM | ||
| All The Way Home | Southside Johnny And The Asbury Jukes | G Major | 4 | 9B | 107 BPM | ||
| The Last Chance Texaco | Rickie Lee Jones | B Major | 2 | 1B | 122 BPM | ||
| Piper To The End | Mark Knopfler | C Major | 2 | 8B | 174 BPM | ||
| Snowbird | Catherine MacLellan | A♭ Major | 4 | 4B | 136 BPM | ||
| Joanne | Michael Nesmith, The First National Band | C Major | 3 | 8B | 72 BPM | ||
| Everybody Move It | Teddy Thompson | C Major | 5 | 8B | 151 BPM | ||
| Still Not Free | Clifford T. Ward | A♭ Major | 3 | 4B | 110 BPM | ||
| The Crow On The Cradle | Jackson Browne & David Lindley | A Minor | 5 | 8A | 129 BPM | ||
| Find a River | Lowell George | D Major | 2 | 10B | 95 BPM | ||
| I Should Have Said | Bap Kennedy | C Major | 2 | 8B | 82 BPM | ||
| Land's End / Asleep on the Wind | Jimmy Webb | F Major | 5 | 7B | 136 BPM | ||
| Learning The Game | Waylon Jennings, Mark Knopfler | E Major | 1 | 12B | 81 BPM | ||
| Running On Empty | Jackson Browne & David Lindley | A♭ Major | 9 | 4B | 137 BPM | ||
| These Days | Jackson Browne & David Lindley | G Major | 5 | 9B | 83 BPM | ||
| The Water is Wide | John Gorka | D Major | 1 | 10B | 143 BPM | ||
| Only a Fool Breaks His Own Heart | Nick Lowe | G Major | 9 | 9B | 141 BPM | ||
| She Thinks I Still Care | Teddy Thompson | B♭ Major | 4 | 6B | 81 BPM | ||
| How We Love | Beth Nielsen Chapman | F♯ Major | 2 | 2B | 71 BPM | ||
| Basil | Mark Knopfler | C Major | 2 | 8B | 148 BPM |