"Stille Nacht" by Traditional, Arr. John Rutter, Toronto Children's Chorus had its release date on 1991. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 21 in Dancing Day by Toronto Children's Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Stille Nacht's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stille Nacht by Traditional, Arr. John Rutter, Toronto Children's Chorus is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lovely Night | Traditional, St. Petersburg Optina Pustyn Male Choir | D Minor | 2 | 7A | 89 BPM | ||
| Ascendens Christus in altum | Francisco Guerrero, A5 Vocal Ensemble | F Major | 2 | 7B | 93 BPM | ||
| Byzantine Liturgy: Dostoino est (It is worthy), For male choir | Traditional, Chamber Choir, Lege Artis | A Major | 1 | 11B | 130 BPM | ||
| Choirs of Eternity | LeoRoads | B Minor | 2 | 10A | 80 BPM | ||
| In Nativitate (Domini) | Medieval Voices | E♭ Minor | 0 | 2A | 79 BPM | ||
| Mocirita - Cantec si Joc | Dan Mihai Goia, Anna Ungureanu, Corul National de Camera Madrigal - Marin Constantin, Marin Constantin, Grigoras Dinicu | A Minor | 4 | 8A | 111 BPM | ||
| Mal di Testa | Alessandro Gozzo, Cats Rule the World | C Major | 2 | 8B | 73 BPM | ||
| The Winter's Tale, Op. 18: I. Siciliana | Lars-Erik Larsson, Jerker Johansson, Göteborg Wind Orchestra | E Minor | 1 | 9A | 144 BPM | ||
| Sub Tuum Præsidium | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | C Minor | 1 | 5A | 78 BPM | ||
| Dance of the Caribou | Chloe Flower, Katie Jenkins, Jessica Cottis, Academy of St. Martin in the Fields | D♭ Major | 5 | 3B | 138 BPM | ||
| Amazing Grace | John Newton, Salisbury Cathedral Choir, Simon Lole | G Major | 1 | 9B | 73 BPM | ||
| The Three Drovers - Arr. Luke Byrne and Lyn Williams | William G. James, John Wheeler, Gondwana Voices, Christina Leonard, Jem Harding, Genevieve Lang, Jess Ciampa, Maria Lindsay, Emma Jardine, Nicole Forsyth, Kristy Conrau, Jaan Pallandi, Lyn Williams | G Major | 2 | 9B | 123 BPM | ||
| Twinkle, Twinkle, Little Star | Daniel Elder, Westminster Choir, Joe Miller | D Major | 0 | 10B | 81 BPM | ||
| To Equity | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Christe, Redemptor Omnium | Ivo Antognini, Desmond Earley, Declan Wildes, Katherine Hunka, Aoife Nic Athlaoich, The Choral Scholars of University College Dublin | G Major | 1 | 9B | 110 BPM | ||
| Ojcze Nasz | Hope Singers | D♭ Major | 2 | 3B | 74 BPM | ||
| The First Nowell - Arr. for choir and soprano by Ola Gjeilo | Traditional, UCI Chamber Singers, Irene Messoloras, Isabelle Knowles | F♯ Minor | 1 | 11A | 72 BPM | ||
| Albinoni / Giazotto: The Beatitudes (Adagio) | Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn | C Minor | 2 | 5A | 95 BPM | ||
| Dostojno Jestj | Slavisch Byzantijns Koor Zwolle | B♭ Major | 1 | 6B | 117 BPM | ||
| Valse romantique, from Harp Portrait Classics | Tobias Southcott | E♭ Major | 2 | 5B | 96 BPM | ||
| Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | G Major | 1 | 9B | 74 BPM | ||
| Elgar: 5 Part Songs from the Greek Anthology, Op. 45: No. 1, Yea, Cast Me from Heights of the Mountains | Edward Elgar, Baccholian Singers of London | A♭ Major | 1 | 4B | 85 BPM | ||
| Ave Maria - Arcadelt Version | Jacques Arcadelt, Coro Laudate Dominum | A♭ Major | 1 | 4B | 86 BPM | ||
| Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 130 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM |